Jump to content

BipolarComposer

Members
  • Posts

    81
  • Joined

  • Days Won

    2

BipolarComposer last won the day on February 19 2022

BipolarComposer had the most liked content!

1 Follower

About BipolarComposer

Profile Information

  • Gender
    Male

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

BipolarComposer's Achievements

Enthusiast

Enthusiast (6/15)

  • Three Years in
  • Two Years In
  • First Steps Rare
  • Good Conversationalist Rare
  • Reactive member Rare

Recent Badges

57

Reputation

  1. I wrote this to put into music my feelings from the past month, since that day. It’s mostly fairly bleak, with a sliver of hopefulness near the end.
  2. A
  3. A brief journey through my mental state.
  4. A clown getting into trouble.
  5. A good encapsulation of my mental state the past year.
  6. This was one of my first orchestral pieces. It was inspired by the tales of Marco Polo’s journey to China. It’s split into 3 parts, with part 1 being the journey to the east, part 2 being life among the Mongols, and part 3 being the Khan’s court at Xanadu. As many historians believe that Marco Polo embellished or even completely fabricated his tales of China. I wanted the music to have a very fake Chinese music feel to it.
  7. Part Shostakovich Tenth Symphony… part Prokofiev Lieutenant Kije Suite… part Stravinsky A Soldier’s Tale. Very well orchestrated and thematically structured. Nice work!
  8. Thanks for the kind words! It starts off with Oboe and English Horn calling back and forth, then the Bassoon takes the melody. When that melody comes back, it’s on the French Horn.
  9. This is the fourth movement to my little suite, which finds the Tin Soldier separated from his ballerina, and floating down a gutter on a paper boat. The structure is a pretty simple ABAB, with a few changes here and there.
  10. This is something that started for full orchestra but I wasn’t happy with it. I scaled it back for just 2 violins, 2 violas, 2 cellos and bass and I’m much happier with it now.
  11. Maybe it’s a coincidence, but this actually reminds me a little of the piano concertos of Camille Saint-Saens, crossed with a lot of Rachmaninov. Over all very good, the piano part is very well written and the orchestration is nicely done. The one thing I found lacking though, is that you never really allow the piano to have a truly lyrical moment. When you bring in that more lyrical theme, you immediately shift the piano back to a more virtuoso passage. Even when the piano takes up that theme, it’s still very showy/virtuoso. Sometimes it’s the note you don’t play that are the most meaningful! Other than that, great job!
×
×
  • Create New...