Werther3912

I honestly think that this work isn't bad at all and definately has potential. I am not entitled to critique, but I am sure if you revise it and take into account Nightingale's comments on word setting, - it should have a good effect!

Qccowboy, Thank you. Yes, I had problems with text - i'll be using the lyrics tool from now on =). I did add extra "et"s, but you are right it's a bit of a stretch - i'll get rid of it. I have used the first part of the text omitting "Sancta Mar

How about Buxtehude? http://www.rodneyjantzi.com/media/Preludium,%20Fuga%20und%20Ciacona%20C%20Major%20-%20Buxtehude.wma

A scherzo is supposed to be a dance. And how is it serious? I thought it was the opposite. It definately needs a slower tempo =)

Here are the scores. Thank you for the replies. To be honest, I have only just gotten through second species counterpoint - and so definately have some studying to do. Ave Maria was a a bit too ambitious in that respect. I have also experimented with polytexture. Any thoughts on that? Adoramus Te, Christe.MUS AveMaria1.MUS

The following two compositions can be sung a capella, particulary Adoramus Te, Christe. An organ accompaniment is very possible, but is left up to the organist. I have gone to a great length with Ave Maria in terms of text setting and it is very contrapuntal. I am still struggling with fugal writing and this is one of my attempts at improving my counterpoint. Let me know what you think! Adoramus Te, Christe.MID Ave_Maria.MID