Mooravioli

Brotha Henry, I've been meaning to comment on this movement for a while, I apologize for the delay. This first movement is full of evocative and memorable themes, which intertwine as the piece progresses. In fact, I found myself humming the beginning "expressivo" theme during work. Your compositional method, including counterpoint and motivic development, reminds me of Brahms but I can see you are adding in your own "random pauses" to the mix. I would be careful these pauses don't interrupt the works organic flow, such as 6:45, which I found a tad out of style. However, I thought 6:55 flowed really well, so the contrast does it's job. Lots of imaginative figurations in the strings, all the while, maintaining support for the clarinet line. Nevertheless, this is definitely one of the darker pieces I've heard, I hope you are in a much better state now, Henry. If this is Yin, then I believe your sextet must be Yang.

thank you man, it is definitely a quirky piece, much more on the experimental side. I actually took a bit of inspiration from prokofiev's march from the "love of three oranges", so it takes on an absurd, comical vibe. Give your housemate a bit of time, he will get used to it👍

the third piece of this set, "crazed capybara", performed by Pavle Cajic: https://youtu.be/jCbbFmt-lDg

henry my brotha, I apologize for replying to you later, but I am very happy you enjoyed my work. I guess the work has a tinge of sadness to it. After ruminating a lot about life + the anxiety I've been through, the work has an inevitable bittersweetness. I hope to record the piece in its full version for my dedicatee. Thank you as always for commenting. Here is a fun pic:

Hello Peter thank you truly again for your comment, and helping me post this. I definitely gave the christmas medley idea a thought, but there wasn't enough time to make an orchestral draft based on those tunes. Otherwise, I think I would've missed the event completely. I decided to enter with this instead, since it is a small dedication I've been writing. Once I have the time, I may continue the draft I've been working on, which will include more complicated reharmonizations, perhaps in the style of ravel boi.

Hello Mike, thank you so much, and happy new year to you! I know the audio quality isn't the best, but I am elated you enjoyed the work, especially for the 7ths and 9ths that were added.

Hello Wieland, thank you truly for this and happy new year to you. 🥳 I did title the song "bittersweet" but doubted if it fit that title well. After hearing your advice, I think I will definitely keep the name, since it is tinged with a few sad harmonies. glad to hear that I came at the right time(and not just "procrastinating" you see) but I have to apologize about the abrupt splicing of the recordings; I was trying to prepare my materials before going on this family trip, where a real piano will not be available. Anyhow, I am glad I got my submission in on time.

happy new year 🥳

seems like i am the last to get my submission in; it's not too late right? since it's 7:14pm,the 31st on my clock. I unfortunately left my score at home(it was handwritten)

Hello Jonathon, A very passionate and stormy work, beautifully delivered with your well-executed playing. All those octaves, arpeggios and runs are quite impressive, I have to say. This sonata reminds me of the romantic era with it's programmatic nature; I can clearly hear the motifs inspired by your 5th sonata. My only gripe with the piece is that it seems to get a little bombastic from m. 201 -209, especially since you have a loud recapitulation. Perhaps, a contrasting section or build up maybe better, in order to lead to audience into the recap. Those are just my thoughts though. Great work on this, I can tell a lot of effort was put in, both in the composition and playing.

hello peter, I am interested in joining as well

Thank you truly, Vince. Self-Esteem +1000 My teacher also appreciates your comment very much.

Brotha Henry, Thank you truly for your kind comment. You have definitely helped me during it's compositional process, but in regards to the length of the piece, I have actually shortened it as opposed to adding on. Especially in the trio, I feel the material has become more concise and easy to digest. I've never even noticed the counterpoint in the G sharp minor section, does that mean I am now prepared to write a 6-part fugue in a krabby canon style? For the recapitulation, I needed something that will segue nicely into the original tempo, and that means slowly increasing speed using the offbeat figure. Thanks for commenting, as always.

hello mark, thank you truly for your comment, there were many influences that went into this work: shostakovich’s jazz suites, a few latin american rhythms, and my own personal anxieties during that period. I think the trio was directly inspired by my efforts, in trying to find a sense of peace through writing. I believe the added extensions are default chords I usually navigate to, to bring color to the harmonies. This is a more personal work, but hope it maintains some individuality. elated that you enjoyed my work.