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Sonata_5

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  1. Hello! This is my realization of the 31st fugue from the Langloz manuscript. I would love to have some feedback on it. Fugue Realization: Langloz Manuscript 31.pdf Partimento bass is below
  2. Sorry, I should have been more clear with my phrasing
  3. I meant improving MY playing of it, not the piece itself
  4. Also doing Indian classical singing But self learning Handel’s aria “Dove sei, amato bene”
  5. Yes? I learnt it few years ago and wanted to revise it
  6. Piano: Haydn concerto in d major movement 3 Beethoven op 2 no 1 movement 1 Bach sinfonia c minor Brahms intermezzo op 116 no 2 Prokofiev visions fugitives no 10 Revising Mozart concerto No 12 first movement Violin: DeBeriot violin concerto 9 first movement Mozart violin concerto 2
  7. Does anyone know of medium length narrative poems IN ENGLISH that would adapt well to music? Something in the style of Bach’s cantata/comic opera Schweigt stille, plaudert nicht, BWV 211 that is suited for dialogue with 5 or less characters that would go well in a recitative and aria format like the Bach cantata above.
  8. The e in the second voice on the first beat was not intentional, it was supposed to be a Bb btw
  9. Hi! Thanks for the feedback! Is this better? I just didn’t know how to approach the 9ths.
  10. Hi! I created a realization of handel’s partimento fugue in g dorian, no 1! I would love some feedback on it! thanks
  11. Oh sorry, I read the notification wrong. Thanks for the feedback!
  12. Oh for b 43 I cannot change the bass since this is a Partimento
  13. Durante partimento 13.pdfThis is my first real realization of Partimento that I am confident in with Durante no 13. I would appreciate some feedback on it. Thank you!
  14. How is it different from a gigue?
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