Thanks!
F#: Need to try it out on piano to reply. (I may have another idea)
Bridge: This is definitely the way. I can explain the 11/8 measure. I am modelling the scale texture from m46 in Beethoven's appassionsta, but stamping my inverted pitch from the semi-quaver "motif". And then i felt like "12/8" was too boring so i made it 11/8. So essentially it is just an expanded semi-quaver motif.
88: i wrote the wrong number. i meant 69 π€¦ββοΈ(i should not write on forum at 4am) i would still give a response: I use pedal marks when I request unusual pedalling. I have put invisible pedal marks for playback most of the time. I'll put pedale ad lib
PS1: If you have heard of Scriabin's Sonata no.5, that's it. A mix of mystic scale (contributing the weird enharmonic spelling in imperial, style closer to sonata no.7 than 5), octatonic scale (half of second theme, not quite sonata no.5, more like no.9), "traditional" tonic-dominant tonality (first theme) and tritone tonality (like instead of tonic-dominant you have tonic-tritone). You can't really put a key signature when the main motif moves from Eb -> Bb -> C and then shifted a min3rd downwards lol. I have written more atonal pieces.
PS2: Dorico is excellent. As my style grow in complexity, I find MuseScore limiting (i would've used paper for poly-tempo part) and too slow. You can use keyboard to input most elements in the music (dynamics, tempo, super helpful: moving/extending notes rhythmically etc) Its dev team is also the most hardworking out of all pro tools for notation. (active in forums, frequent useful updates, not broken (like bugnale)) It also aligns with my neovim (a terminal text editor which uses keyboard only) way of editing
I'll upload the new version after I test it all out (It's midnight again)