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juiceDeLemon

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About juiceDeLemon

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  • Biography
    student, 7 years of un-serious comp class, 1 year of serious comp class
  • Gender
    Male
  • Favorite Composers
    Scriabin, Beethoven, Stravinsky
  • Notation Software/Sequencers
    Dorico
  • Instruments Played
    Piano, Viola

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  1. Thanks! F#: Need to try it out on piano to reply. (I may have another idea) Bridge: This is definitely the way. I can explain the 11/8 measure. I am modelling the scale texture from m46 in Beethoven's appassionsta, but stamping my inverted pitch from the semi-quaver "motif". And then i felt like "12/8" was too boring so i made it 11/8. So essentially it is just an expanded semi-quaver motif. 88: i wrote the wrong number. i meant 69 πŸ€¦β€β™‚οΈ(i should not write on forum at 4am) i would still give a response: I use pedal marks when I request unusual pedalling. I have put invisible pedal marks for playback most of the time. I'll put pedale ad lib PS1: If you have heard of Scriabin's Sonata no.5, that's it. A mix of mystic scale (contributing the weird enharmonic spelling in imperial, style closer to sonata no.7 than 5), octatonic scale (half of second theme, not quite sonata no.5, more like no.9), "traditional" tonic-dominant tonality (first theme) and tritone tonality (like instead of tonic-dominant you have tonic-tritone). You can't really put a key signature when the main motif moves from Eb -> Bb -> C and then shifted a min3rd downwards lol. I have written more atonal pieces. PS2: Dorico is excellent. As my style grow in complexity, I find MuseScore limiting (i would've used paper for poly-tempo part) and too slow. You can use keyboard to input most elements in the music (dynamics, tempo, super helpful: moving/extending notes rhythmically etc) Its dev team is also the most hardworking out of all pro tools for notation. (active in forums, frequent useful updates, not broken (like bugnale)) It also aligns with my neovim (a terminal text editor which uses keyboard only) way of editing I'll upload the new version after I test it all out (It's midnight again)
  2. Good afternoon/evening! First post here, Before I work on the development, I need suggestions. There are three themes in this Sonata (I'm not using traditional forms) I'm not really sure if I like mm60-63 and 70-73 in the third theme. It's really awkward and I don't know how to fix itπŸ˜… What I find weird is: F# pause (kinda fixed it in the 2nd repetition? but 1st idk how) Bridge to the development (by that i mean 79-82, i really like 75-78 and 83-86 but the connection is meh) m88 If you have opinions about other parts feel free to comment πŸ™‚ Audio is flawed: the fermatas/caesuras aren't working
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