Fruit hunter

Thank you for reviewing this. I did this a few years back so yeah also I got heavy influences from the Moldau to including the V-I ending thank you for letting me know. I’ll definitely use your tips later in composition.

I feel like this piece does not need clef changing The violin only stays in treble clef The cello could go into treble but I think it’s better that it goes into tenor which you should do that if the passage goes into the high range and you have stuff that’s above 4 legger lines it does sound good though also try to add some slurring in there if the fastest stuff is bowed separately then it will sound really sloppy anyways, good work

Yeah, for the pitch bending I first started off with jazz notation, but then the playback didn’t support that so I had to like use the guitar pitch bending and what not I’ll probably update the program notes explaining what to do when you see that all that is, it’s just simply a slight pitch band at the end of the note I tried to perform the Tremelo with the two harmonics in the cello. It is possible if you try enough, but it’s really torturous to start off and it’s supposed to be on two separate strings. The position is really easy though, as both of the harmonics are in the same place so you could bar. So it’s possible if you’re really good at string crossings.

The opening is really impressive although I don’t have the score. I could just say that this is definitely an attention grabber and this also has a lot of soloistic elements to it. I really like it. This definitely sounds like the piece of music that should be respected and will definitely get its respect.

it would be really appreciated if someone gave feedback or even analysis on my newest work for string Orchestra. Audio from YouTube with score Conductor and performance notes if you need them Based off of MesoAmerican folklore and ancient dances and rituals will add flavor to any orchestra with many themes that are discovered having a soft slow section and ramping it up to a crazy end.

Measure 119 percussion part has pizz. Assuming this is from copy and pasting. And also a few measures after that in the strings you don’t have to write pizz again since it’s already written also, some other notation things make sure dynamics are not repeated in one part and make sure things don’t overlap like dynamics and articulation

Thank you a lot this means a lot too

Oh yeah, I’m still writing the program notes and what not but basically that’s what I’m saying. It’s a semi programmatic piece basically of rising empire.

Thank you

My suggestion is to, of course, label the percussion instruments and it may be that your piece may not need it but just in case, though if you’re planning to use a variety of percussion instruments, then you should definitely use more than one Staff . parts would be percussion one and two or whatever initial instruments that part is starting on.

The orchestration is really flavorful and colorful and excellent use of dynamics

@Henry Ng Tsz Kiu Alla Ninna Nanna is translated into as a lullaby having the second movement, acting like a lullaby, which eventually gets out of hand The background for this piece was actually inspiration from another piece of music where I looked at the performance notes and I saw the word psychedelic colors. Based off of that, I composed this piece with that word in mind.

I am looking for feedback on one of my compositions https://musescore.com/user/53049012/scores/20469397 This is the muse score you could use it as an audio. YouTube also works as audio

By the way, this is for a large orchestra and is a multi piece