Fruit hunter

It sounds quite nice. I like it. I like the counterpoint really much. You definitely really spiced up the major which I’m really happy about as that just using the major scale by itself can be really bland. Sometimes I also heard some theme that sounds a bit like “deck the Halls.”

For more context visit: program notes: Dawn breaks, setting an uneasy tone Ross confides in Percival before fate leads him to Selene Orson’s cruelty surfaces, while Florence plays a dangerous game—flirting, deceiving, and lying Ross seeks comfort in Evangeline but Aldric pushes him toward a reckless confession. Searching for answers, Ross is left wandering alone Rejection looms as echoes of fate return. Selene turns him away. Humiliation follows—Malcolm mocks him and Orson delivers one final blow Defeated, Ross is left only with his Reflections of a Hollow Heart. Score and audio:

Now it works

So I listen to the first movement and a bit of the third movement but focusing on the first movement, I found that it sounded very interesting and sort of like 20th century stuff. It definitely has a unique sound the third Quartet sounds nice and is lively and also it being in a major key at points. I do feel like that all four quartets should be packaged as one piece, but that’s my take on it. You could keep them separate, but I think that each movement would contrast nicely with each other. also, I couldn’t look at the scores for the first and third movement because it just showed up as a blank Google doc

First off I noticed that their first movement was a nice little 6/8 waltz I really enjoyed it. The music does scream one last dance, and the first movement ends with unison, making everything more stronger. The 2nd movement is subtitled as longing assuming which is probably this piece is some sort of love story, or something with the connection of love or something like that it starts off slow and with the feeling of longing with various woodwind features placed throughout and I do in particular like the ending where the theme is played in a processional March The third movement was a bit more joyous and provided relief. I do like mixed meter stuff which you did very well and it had that typical concert band type feel to it with syncopated rhythms and runs and also is in major. The final movement definitely had the sound that you would hear in like a movie or something, but then it goes to its original theme with the galloping rhythm and I do like the Rubato on the winds. I do find that the euphonium does stand out a bit other than that the orchestration is really great, but definitely mix down the euphonium so it blends better in the playback anyways great work

anyways, this is a tone poem that is performed like any other concert piece. The piece itself is pretty long and every act spans from 18 to 30 minutes each. It should be performed like an opera or a ballet, despite there being no acting or dancing involved. instrumentation notes There are three oboes in total. All three double on bass oboe in the first movement. • The first clarinet part has two players: • One playing the upper line. • One playing the lower line, doubling on piccolo clarinet in the first movement. • Throughout the piece, both oboes and clarinets will need to switch back to their primary instruments at various points. This is act one out of four and I am still revising them so I could put them on here anyways here are the performance notes: The act opens with Prelude to the Heart, hinting at the emotional turmoil ahead. Ross’s theme, The Solitude of Ross, explores his quiet longing, while The Jesters (Tobias and Percival) add lighthearted moments of friendship. The arrival of Aldric, The Manipulator, disrupts Ross’s world, introducing him as the antagonist who plays mind games with Ross. Meanwhile, The Council of Shadows represents the complicated dynamics of Ross’s social group. Orson, The Disruptor, causes further tension, while The Mocking Wind symbolizes the cruelty Ross faces. However, it’s Selene, The Light in the Mist, who captures his heart, leading to a deep emotional connection in The First Glance.Ross’s feelings intensify in Eclipsed by Desire as he falls deeper in love. In the midst of his growing affection, The Gathering brings subtle tensions to the surface, and The Quiet Northern Winds reflect Ross’s inner turmoil.The turning point comes with The Shadows of Mockery, as Malcom and his followers begin to torment Ross, leading to The Great Deception—a moment of cruel betrayal. Ross retreats into Reflections in Silence, contemplating his situation, while at the Spring ball intensifies the emotional conflict. The act closes with Florence’s introduction as The Siren’s Call, adding another layer of complication to Ross’s feelings for Selene.

Thank you for reviewing this. I did this a few years back so yeah also I got heavy influences from the Moldau to including the V-I ending thank you for letting me know. I’ll definitely use your tips later in composition.

I feel like this piece does not need clef changing The violin only stays in treble clef The cello could go into treble but I think it’s better that it goes into tenor which you should do that if the passage goes into the high range and you have stuff that’s above 4 legger lines it does sound good though also try to add some slurring in there if the fastest stuff is bowed separately then it will sound really sloppy anyways, good work

Yeah, for the pitch bending I first started off with jazz notation, but then the playback didn’t support that so I had to like use the guitar pitch bending and what not I’ll probably update the program notes explaining what to do when you see that all that is, it’s just simply a slight pitch band at the end of the note I tried to perform the Tremelo with the two harmonics in the cello. It is possible if you try enough, but it’s really torturous to start off and it’s supposed to be on two separate strings. The position is really easy though, as both of the harmonics are in the same place so you could bar. So it’s possible if you’re really good at string crossings.

The opening is really impressive although I don’t have the score. I could just say that this is definitely an attention grabber and this also has a lot of soloistic elements to it. I really like it. This definitely sounds like the piece of music that should be respected and will definitely get its respect.

it would be really appreciated if someone gave feedback or even analysis on my newest work for string Orchestra. Audio from YouTube with score Conductor and performance notes if you need them Based off of MesoAmerican folklore and ancient dances and rituals will add flavor to any orchestra with many themes that are discovered having a soft slow section and ramping it up to a crazy end.

Measure 119 percussion part has pizz. Assuming this is from copy and pasting. And also a few measures after that in the strings you don’t have to write pizz again since it’s already written also, some other notation things make sure dynamics are not repeated in one part and make sure things don’t overlap like dynamics and articulation

Thank you a lot this means a lot too

Oh yeah, I’m still writing the program notes and what not but basically that’s what I’m saying. It’s a semi programmatic piece basically of rising empire.