Thanks for the reply! Most of the octave doublings were done intentionally for voice spacing purposes. Although there probably is a few that may be mistakes. Otherwise I am not too concerned with them.
As for the form it was not my intention was not to have it in ABA AAB or any particular form. I see this piece in two halves the build up to measure 26 and the calm quieter music that follows, and each point in between is meant to express certain emotional qualities. My approach to form with this piece is much more Wagnerian in style than traditional.
Thanks again for the critique!