pliorius

very fine thing. would like to hear heavier fingering, but have no clue how that would be possible without introducing more rhythm, which would be a different kind of beast. a bird, here, not messiaenean (and not larry), but flapping.

i don't know if it's because of "white", but it kinda reminded me of volans' 'white man sleeps'. it has that white feeling to it. now as i think, almost racist white! damn you, black orpheus. very elegant and almost too beautiful

something to smoke to late at night piano piece for the late night smokers [mp3=pliorius][/mp3]

and then her little bird died No Piano

i very often get this kind of strange feel when listening to old school type electronics, you know that type of bleeping, spacy texture they have. i don't want to describe this feeling for it would be too perverse for this site. technically you can do it with any program and editor. hell, you don't even need any sample, just draw a note straight in sound forge and do whatever you like with it. you can even sequence it in sound forge (put a sound, delay it, so it overlaps, delete it and so on). lots of work, but if you like that kind of hand-made thing to it, why not. you know like those radiophonic composers did for their spacey sound to bbc programs and stuff in 60-70. it's fun enough, but i would like to heat more contrasted densities - since, in principle, this is not drone type of thing. afterall, electronic music is about layering, or so lithuanian musicologists say - i wouldn't care much, of course, if they weren't quite beautiful and young female ones. but, if you opted for this monochromatic feel, i think a reverbed part/layer (it don't realy matter if it was reverbed, it could have been EQed to sound more spacey) at 2.33 sounds a bit off. but, only if you wanted to sound very much in a rounded flow.

i really can't say when a piece or a part of it is too long, it either feels good or no. i used to do an experiment by trying to prove that no piece, actually, is too long or too short by cutting up webern's 5 pieces for strings, which were hailed as very exact and having every note right up where it should be. well, you get different music, that's all. when i used to send these piece to labels (that were industrial, dark ambient or whatever the genres they call themselves) i would get a reply - 'this is very good, you know what you're are doing, but it's not the style we look for'. i guess, the style is very vague thing. to me it's just music, whenever it becomes a style, you can do history books and money with it. thank you for listening and commenting.

here's a piece from full album with the pieces i have posted some years ago. this one is called "demon's awakening" Labyrinth Garden and a video for one of them you can hear all pieces here http://sonicsquirrel.net/popup/sm2/release/11887

this is an excerpt of my most listened piano work, it's completely intense and beautiful this goes second and third, a must for all anarchists http://www.youtube.com/watch?v=KsfJIJ7ZQ2c

i find it very beautiful. if people would write more music without requirements for pretty, exact and perfect, world would me much more fun/true to me. and i'm not joking, it's not funny to me. it's simply beautiful.

elegant

glad to hear that, ferk. i was aiming for more overtone kind of sound, thus placed recorder in a kettle over the basic part of set of strings used in this piece. it didn't work out exactly as i wanted it to do, though, played some time before, i could swear it had much more obvious overtone drones in it.

i could, here's the photo of the painting http://www.facebook.com/album.php?aid=45593&id=100000350432513&l=d0456a93fc

yes, it was. i just play these little things (for i'm no piano player) at times, it helps me get the black pirate off the back. i'm happy if anyone likes/listens to it, since it's not challenging in any musical sense at all. p.s. also just few moments before recording it i painted a picture of my ex at rest (from photograph), hence the name and recording style/type.