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MarkE

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About MarkE

  • Birthday 11/21/1957

Profile Information

  • Biography
    Studied Orchestral Conducting at Juliard
  • Gender
    Male
  • Location
    NJ
  • Occupation
    Project Manager / Radio Station Owner
  • Interests
    Ham Radio / Flying / Choral Music
  • Favorite Composers
    Bernstein /Shostakovich / J.S. Bach / Rutter
  • Notation Software/Sequencers
    Nuendo / Sibelius
  • Instruments Played
    Voice / Trombone / Keyboard

MarkE's Achievements

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  1. MarkE

    No Quarter

    Orchestral Arrangement of "No Quarter" by Led Zeppelin No Quarter
  2. MarkE

    And You And I

    Orchestral Arrangement for "And You & I" by YES And You And I
  3. MarkE

    Help with Harp

    As promised, here is a VERY ROUGH first draft of the harp part (It will look much prettier when it is done) At this stage, this is to determine if I am on the right track with this transcription, and is it playable. I would appreciate ANY comments. I am particularly interested in the playability of the section at Rehearsal "D". BTW the work is Supper's Ready by Genesis. Thanks Mark Steinberg Framework Printout.pdf
  4. MarkE

    Help with Harp

    Thanks for all the comments. I am writing a small part of what I intend to do in one of the numbers. I will post a PDF of the harp part when I finish the first draft. (couple of days, maybe sooner). Thanks Mark
  5. MarkE

    Help with Harp

    Yes, but couldn't I spell that out as a Gb + F natural?
  6. MarkE

    Help with Harp

    I understand your concern with the chords, but all of them will be arpeggio chords. Do you still think it is a problem? Thanks Mark
  7. If there are any harpists out there, I would like to get some advice on writing for harp. I am involved in a project that is orchestrating much of the Progressive Rock music of the 70's to include a full symphonic orchestra backing the rock band. I will be writing some of the acoustic guitar parts for harp, and would like to know the limitations of the instrument. Yes, I have read many orchestration books, but it is one thing to read it in a book, and another to hear from a harpist themselves. Thanks in advance Mark
  8. I could feel the begining of a fugue at measure 58, then I was let down at measure 62 :(. Just my humble opinion. I would have developed a short fugue there. Otherwise, I'm VERY IMPRESSED!!
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