I think more composers will use computer software programs as a compositional tool and as a final medium of expression,thus eliminating performers as an intermediary.
I say Anton Webern,because every moment in his music is eternal ,and exists in eternity.There is my terse answer,totally in keeping with the spirit of the composer.
For me,the Sennheiser 421 dynamic microphone is hard to beat.It's durable,versatile(5 different pattern settings),and goes well with most quality sound cards{such as M-Audio or Soundblaster),and recording environments.
Good piece!!I like the contrasts between the various sections of this piece,and the "latino syncopation" ending Provides an excellent climax.I would be very interested to know what software application you used,because I heard some new effects I hadn't heard before. SIMON