marcelostockle

very very pretty some melodies touched me deeply the strenght at the final minute is somehow unexpected as for a tune you could even name a lullaby, I liked it a lot

:-o I did enjoyed this a lot I just wonder why wasn't it longer, I just didn't expected it too finish so soon there was these parts in the middle section very very rich in sound. I'm not 100% sure the ensamble isn't real xD how do you get these sounds? any software I don't know about?

thanks for the welcome, I've actually felt very desoriented in the site like, don't really know where to start from... also I'd love to have the chance to listen to great works and to know great compositors but I really need suggestions or something like, I just have this link bookmarked http://www.youngcomposers.com/forum/symphony-no-1-g-minor-17968.html 'cause it actually seems like a professional work (not like some frequented 3 minutes' "symphonies" that I've found in the site xD) and I'll hear it and write about how it was to me as soon as I got the time. well, I have a mp3, but it doesn't sound better

Thanks a lot :) I'd love to get a good violinist soon and record it

I'm sorry xD I forgot now it's done

I'm 18 and I've been composing since 16 I have 7 hours of "building-my-composition" themes (115 themes, but not many of them significant) then I have these 2 pieces I've post here (yes, you can click them ;) ) 1 Duet for Piano-Violin 1 Overture and some lots of musical fragments to create symphonies, sonatas, or anything I'll be managing to in the future

this is a Largo short piece. (I know about the interlinguistic contradiction there) mostly simple, and... well, you should better tell that to me :) You'll maybe figure out why I called it "La Strada Italiana"... anyways, I just hope it gets heared, and it'd be nice if I'd get comments as well I truly hope you like it La Strada Italiana.mid

I forgot to say the parts are found this way: I. Adagio 0:00 - 2:16 II. Vivance Con Spirito 2:17 - 3:13 III. Adagio - Finale 3:14 - 4:59

:-O wow, I'm impressed. the piece has some magic really energetic... it kind of feels like a great great unstopable and inevitable construction going bigger and bigger. Remindes me a real lot to a Bach's Two Parts Invention (I think No. 4) a good and inspiring listening edit: but you should maybe change the "sinfonia" xD

how can I use that *.mus file extention? or do you have a midi one?

My first overture. It's not that great composition, but I hope you like it. Wrote for: 2 Violin ensambles (each one split at some moments on 3 parts each) 1 Flute 1+ Contrabass 2+ French Horn 1 Tubular Bell 2+ Clarinets 2+ Piccolos 1+ Crash Cimbals 1+ Hi-Hat 3 Timpani (perhaps 2 tamburino and 1 gran cassa) 3 small movements... (too short for a concerto, a sonata or not even naming a symphony xD) I. Adagio II. Vivance con spirito III. Adagio - Finale I'd really apreciate comments and some critic if you feel like it :) perhaps I'll feel ready for working on a symphony in some time Obertura No. 1.mid

of course is not smooth jazz... it's just traditional I loved most of it sounds so Sonny Rollins or Scott Hamilton but there are some strange arhythmic parts, that I don't really how to think of but it gots nice mood, and it's a nice listen

the main melody sometimes ask for a cadence. but the "breaking bars" in it fit perfectly... specially on its development for 0:55 - 1:08 the chorus winds sounds great, they give an ideal touch, very lacking on this style of music these days. The clarinet on 2:53 could have built into a solo, and in the 3rd verse the repetition would have fit much better with the sax or the clarinet filling voids in the sound, with fills, or anything to give a more dynamic listen but then, most of the voids must have been only for the exclusion of the lyrics it would be a nice theme to listen recorded, and it doesn't sounds so hard to do it... so, if you ever get a recorded version, let me know ;)

Chick Corea's "Softly, as in a Morning Sunrise"... but anyways, I wouldn't be able to compose piano like that. Herbie Hancock's "Cantaloupe Island" and Brian Bromberg's "Sunday Mornin'" :S it's such a shame... why wasn't it me!?!

I do it first for the sake of creativity, then, for experience, if I ever get "THE JOB" which doesn't seems so imposible, at least at a lower scale... then, to have my "repertory bag", for any use, hahahaha. And last, because I write the music I'd like to hear for the moment :thumbsup: Even tough I could never performe, I guess that wouldn't be at all bad. But I do always worry about any details in the interpretation issues, and actually, I'm pretty personalized with each part of "my ensemble"