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Please help me get started with EWQLSO and Logic Platinum!
Yes, you're right! Problem solved--thanks! I knew it must be something trivial...
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Please help me get started with EWQLSO and Logic Platinum!
OK, what specific info do you need on the computer? By "what samples" do you mean what instrument? Actually, I was trying to load a standard symphony orchestra from EWQLSO samples from piccolo down to double bass, and all I get is the piccolo, or whatever it is I put on top. Even when I have just 1 sample loaded, it plays it from channel 1 only, so I guess it doesn't have to do with the number of samples I load. I keep thinking it must be something trivial, I just can't figure out what. Any help appreciated.
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Please help me get started with EWQLSO and Logic Platinum!
Meantime I've changed the Logic for Cubase SX3; I figured out how to import and load the samples alright. My problem now is that when I put the midis in the sequencer and load samples on it, it only plays the uppermost channel and ignores the rest. Am I missing something? Or does it have to do with computer shortages?
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Please help me get started with EWQLSO and Logic Platinum!
Yes, I figured out that that's what I need to do, but how exactly do I do THAT? Logic has a VST Plug-Ins folder, and I've already tried to copy there a multi that I saved on EWQLSO, but I can't proceed from there. How do I make it work? (I said I'm an amateur with sequencers, treat me as an absolute beginner...)
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Please help me get started with EWQLSO and Logic Platinum!
Hi Everyone, I have a rather amateurish request. So far my composing activity was confined to using Sibelius, and recording songs with Kontakt Player, so I know precious little about sequencers. I've just managed to get myself an EWQLSO Gold Edition, and I also have a Logic Platinum 5 sequencer. I'm simply asking: how do I get started in the first place? How can I import the samples from ESQL to Logic? Once that's done, I guess I can find my way around. Thanx in advance!
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Melancholy Waltz
Piece updated, waiting for comments (available through link given in the thread opening). Thanks in advance!
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The Merry Wives--comic overture
This is the first symphonic composition of mine from a couple of years back. I had in mind some comic, playful sequence of events with some dramatic tension intervening in the middle when I composed it, something like Falstaff, or The Merry Wives of Windsor--hence the title. I composed it on Sibelius, and it's in classical style (or so I would figure). The orchestration follows the standard classical setup with cymbals and triangle added. The latter unfortunately comes through with more intesity than I meant it to have, though. Comments welcome! It's available at The Merry Wives
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Airborne
Piece updated, some extra percussion added, introduction and conclusion modified. Thought I'd revive it... What do you think?
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Intermezzo for Strings
Thanks very much for your comments, Montpellier! Yes, I agree with you about the dynamics. I compose on Sibelius, and it tends to be a bit awkward with dynamics, so I refrain, for instance, from using the cresc/dim facility, without which certain parts just fail to come through in the right way. The score was the other thing you mentioned: so far I haven't posted scores because I haven't installed the component of the software that enables it as yet. I will make up for is asap. Thanks again!
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Intermezzo for Strings
I wrote this short piece for a documentary which was re-edited after the music was done, so I had to rewrite it in a more fragmented fashion. I kept the original version, though, and I designated it "Intermezzo"--this is what I post now. Comments appreciated. It's available at: http://www.soundclick.com/bands/songInfo.cfm?bandID=542604&songID=4477129
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"Runaway"
Nice work! You qualify it as film music, so I have no problem with its being repetitive. I very much liked your samples; what software do you use?
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D-minor scherzo
This one seems to have slipped into oblivion, so I thought I try to revive it...
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Airborne
Thanks again. The score needs some cleaning up--I'll post it when it's done.
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Airborne
Thanks very much, hornplayer, for your comments. Indeed, I, too, was somewhat dismayed by not getting comments. I guess you're right about the chord changes, as well as the transition into the tutti of the midsection. And, oh yes, I have this quasi-neurotic compulsion to drag the coda on and on and on.... :shifty: Thanks again! Anyone else?
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Airborne
Here is a symphonic piece I composed about a year ago. I don't know whether it qualifies as a modest tone poem or as a movie score. I didn't have any precise program in mind, but I associated it (vaguely) with an airborne battle, hence the title. I used Sibelius which cannot play pizzicato and horn at the same time, which is quite distressing--on this version, I opted for having the pizzicato on. Comments are welcome. It's available at: Airborne PS. I have just updated the piece, added some extra percussion + changed the intro and the conclusion.
Csato
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