Intrasonus Project Step 1

Prologue Intrasonus Concerts and Workshops

Laboratoried with Trio Fibonacci and Jack Quartett

Laboratories with David Alberm and Uli Fussenegger

Laboratories with Garth Knox and Rohan De Saram

A workshop of experiential address of the duration of one week turned to instrumentalists and operating composers of the field, in which one will take to knowledge of the characteristic aspects of the writing for strings in order to create a precise professional "know how" and put it into effect.

Place: hall Auditorium Candiani Mestre Venice Italy

Time given: 19 September (Trio Fibonacci) , 4-5-6 October (Jack Quartet), End of Jannuary (David Alberman),24-25 March (Uli Fussenegger cb) 29 April 6 May (De Saram Cello, Knox Viola )2008 hours: every day from 10 to 13 (performers) and 15 to 18 (compsers) places available: 40 cost: 40 to day (B&B? 65) tel. +39 333 88 53 709

Email: intrasonus@yahoo.it

Site : http://www.webalice.it

Prologue: Many musicians find themselves sometimes in positions or compositive of interpretative indecision. They use outlines and shapes that, without any real connection belong to instructions related to preset clues without a precise communicative attempt: like relate to the tension, the distension, the curves and the structural hierarchy, the matter, the poetic, the perception, the individualisms, the representative characteristics. The former are all aspects and shapes that have a great value if harmonized together and put in relation with: the precision, the spontaneity, the attention to the impulse, the intuit , the mutual listening, taking itself cure of a objective, the perceptive physiology, the patience in the wait of a final awareness. Often in order to express an artistic thought the musician uses interiorized recognized shapes of received didactics, often more of a custom in our society, to damage of the own authenticity and the system of interdependence of the constituent factors expressed by the opus itself. For every artist or musician the use of the indications received by old teacher's instruction is often over imposed from the outside and it is not a natural gesture: this creates hard work and distrust in the same the realization of the own ones aims. It is task of every contemporary artist to regain control of his own instruments in order to find again his soul instrumentally and musically; for placing in shape an authentic way, to be able to place an original work of art in the international panorama, in order to participate to future plans, to create. The challenge is not to replace a vision with an other one, but to reveal the inner energetic power of the same matter trying to integrate it harmonically with his own expressive sensibility in order to create a vision, watching forward the process of expressive and communicative natural creation. The aim is to reveal natural relationship of tension and distension is at the origin of every endowed realization of natural life and potentiality.; enabling the musicians to realize - the knowledge of the contemporary classic execution, beyond the stereotyped - visions raising the creativity like primitive communicative energy .We will than create works, beyond the stereotypes models offered to us by the contemporary writing focal points: WE WILL WORK TOGETHER IN ORDER TO VERIFY AND TO REALIZE SOME "CANOVACCI" COMPOSITIVI IN ORDER TO CREATE PROFGRAMS FOR FUTURE REALIZATION WITH THE INVITED MUSICIANS AND ENSEMBLES BEEN INVOLVED IN FUTURE CONCERTS WAITING TO BE INCLUDED IN THE FUTURE PLANS OF THE INTRASONUS PROJECT

The main aim of the workshop: IS TO (RE) CREATE A NEW INTERACTIVE KNOWLEDGE BETWEEN INTERPRETERS AND COMPOSERS - technical detailed lists of the single instruments