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There are two composers who get me everytime.

One of them is Japanese film composer Joe Hisaishi, who's most famous for music to Hayao Miyazaki's films (such as "Spirited Away", "Laputa - Castle in the sky" and "Ponyo on a Cliff by the Sea"). Hisaishi's rich orchestration and inventive melodicity always fits to these movies, and I never cease to find more and more details whenever I listen to his music. His music neatly stays as background music in the pictures, but works as standalone music, too. A Kiki's Delivery Service medley should work as an example on how beautiful he can be, and a

should work as an example on how dark he can go.

The other one is Felix Mendelssohn, who I think found aggression in music with his third symphony.

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