Jump to content

Compositional exhibition for strings (show off your geniousness)


Recommended Posts

  • Replies 77
  • Created
  • Last Reply

Top Posters In This Topic

Posted
Geez how long are your movements?

My movements wouldn't be that long, I'm just a slow worker.

perhaps he has a life,

No, I don't ;)

Posted
geniousness isn't a word and makes you sound quite the opposite.

I know it isn't but famousness is

I made it up, along with Orchestrians which was the original name for the thread before it was relocated and renamed

Posted
Don't laugh at me. I followed the rules devils2.gif

Sorry there's no MIDI, or mp3. Finale didn't play it right. ;)

...

AHHH! I love the finale the best robin ingenious ingenious!

Posted
The first major innovations in the development of the solo concerto were made by Antonio Vivaldi, who established the ritornello form: solo passages alternate with orchestral tutti[/b'], which often repeat the same material, giving unity to the movement. He established the three-movement form (fast
Posted
ritornello form should do the trick

No one said anything about 'ritonello form' ... I just went from the posted rules.

Must be in baroque concerto form (fast-slow-fast form along with Ritornellos or slow-fast-slow form along with ritarnellos and even a slow-slow-fast or fast-fast-slow form will be accepted (with ritarnellos)

Ritornello= re-occuring themes in a piece played by the acc. instrument (piano)

I have recurring themes.

:whistling:

Posted
Overview

2. Must be in baroque concerto form (fast-slow-fast form along with Ritornellos or slow-fast-slow form along with ritarnellos and even a slow-slow-fast or fast-fast-slow form will be accepted (with ritarnellos)

Ritornello= re-occuring themes in a piece played by the acc. instrument (piano)

You obviously didnt read this and your only recuring theme is in Part II, with the black blocky part in the violin

also in part II you play Bb-C-E once then backward which is certainly genuis :thumbsup:

I however am having difficulty playing this

Posted
You obviously didnt read this and your only recuring theme is in Part II, with the black blocky part in the violin

also in part II you play Bb-C-E once then backward which is certainly genuis :thumbsup:

The 'theme' is the Bb, C, E in Part I (violin).

It then recurs in the piano, Part II, and is presented again, in retrograde.

Then, the retrograde recurs, back in the violin, Part III.

Not recurring enough to be a ritornello?

:whistling:

I however am having difficulty playing this

Sure. If you're unfamiliar with the notation and the concept as a whole, it won't work. In the right hands, it might sound like this:

Malcolm Goldstein - violin

  • 4 weeks later...
Posted
really?

have you turned over to the dark side:stoicsith:

you will write a violin piece still right?

maybe I think that the violin sound horrible in finale..the harp is capable of doing more chords as well so anyway..

how comes YOUR piece? :)

Posted

It is coming around reasonably well,

I have got a bunch of ideas I am just struggling on how to put them together,

dont be Ridiculous though........

you will now work on your exhibition piece.

OR ELSE:angry:

Posted
It is coming around reasonably well,

I have got a bunch of ideas I am just struggling on how to put them together,

dont be Ridiculous though........

you will now work on your exhibition piece.

OR ELSE:angry:

Technically the harp duet is legal....according to the rules

I made the rules ;)

Guest
This topic is now closed to further replies.

×
×
  • Create New...