maianess Posted February 15, 2009 Share Posted February 15, 2009 So. Choral music. Eight voices written in four staves--there's a lot of unison and some divisi passages, where there are two voices singing on a single staff. I've got some questions about layout and nitpicky stuff: Do I need to have each note double-stemmed (that is, with an up-stem and a down-stem, to indicate both voices) in long unison passages with no divisi in that staff? Which should go above the other, hairpins or lyrics for the top voice? Where in the stacking of things should dynamics/expressions go? Also, while I'm asking: ought "breaking" to be spread across notes as "break-ing" or "brea-king"? I'll post more questions as I run into them in my score clean-up. Thanks!! Quote Link to comment Share on other sites More sharing options...
Guest QcCowboy Posted February 15, 2009 Share Posted February 15, 2009 1) I say write it on 8 staves when you need 8 staves. I HATE seeing heavily divisi choral writing smooshed into 4 staves. 2) No double stems unless it's a SINGLE unison note in a divisi passage. 3) Lyrics first, then hairpins. However, this is exactly why I hate shared staves for divisi passages. ALL lyrics should be below, and all dynamics and hairpins should be above. 4) Break-ing. It's relatively simple: the word and its suffix. Never break a single syllable word : break-ing, not brea-king. The word is "break". So. Choral music. Eight voices written in four staves--there's a lot of unison and some divisi passages, where there are two voices singing on a single staff. I've got some questions about layout and nitpicky stuff:Do I need to have each note double-stemmed (that is, with an up-stem and a down-stem, to indicate both voices) in long unison passages with no divisi in that staff? Which should go above the other, hairpins or lyrics for the top voice? Where in the stacking of things should dynamics/expressions go? Also, while I'm asking: ought "breaking" to be spread across notes as "break-ing" or "brea-king"? I'll post more questions as I run into them in my score clean-up. Thanks!! Quote Link to comment Share on other sites More sharing options...
jujimufu Posted February 16, 2009 Share Posted February 16, 2009 He could also be meaning "bread-king", in which case "breadk-ing" would sound weird. :whistling: Quote Link to comment Share on other sites More sharing options...
maianess Posted March 1, 2009 Author Share Posted March 1, 2009 Figured I'd revive this thread rather than start a new one for a single question, because y'all like to slam people for doing things like that. Er, anyway. I'm attaching a snapshot of my score; my question is, given a staff with top-text, does a fermata go above or below the text? Thanks! Quote Link to comment Share on other sites More sharing options...
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