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Posted

Well, repetitiveness is getting worked out.

And big orchestra.... well, that's gone. I haven't written for more than a string orchestra in 2 months. I like writing for small groups now.

A new problem: Not wanting to write for anything but viola! And when I write something, using a ton of it! But I guess that's not tooooo bad.

  • 4 weeks later...
Posted

Eternal perfectionism! Every time it seems your piece lacks something, yay...

Well, depending on how you use it, that could actually be your best ally, I suppose -- if you use it too critically, your never going to be happy with your work. But if you use it as a means to strive for being the best you can be, that's a good trait, I think :nod:

Don't overcome it too much :D Just... enough!

Posted

Aren't there 1728 triads (12*12*12)? I think this points to J. Lee's talented and smart ≠ flawless music thing.

I had to overcome listening to bad music.

Actually, there are infinite numbers of triads avalible, yet only (approximatley) 88,000,000 that the human ear can discern.

Posted

First, I had to publicly admit my passion for music. I felt ashamed to say I wanted to be a musician, and moreover that I wanted to compose. As a young teenager, I wasn't feeling good enough and I thought people would laugh at me.

Then, even though I was taking piano and basic theory classes, I did not really know how to compose so I created my own little system, full of fantasy, and it made a lot of sense to me, I was writing things I liked and that my friends enjoyed. So when I started to follow more advanced theory and composition classes, I discovered all the inadequacies in my system, and it became impossible for me to use it without feeling cheap. So I became blocked by rules, by the idea that there was right and wrong and I didn't dare write anything at all. It took me months to overcome this, to feel free again.

Now the difficulty I have is to talk about my music with words. I always find it a little humiliating and I have no precise idea why.

Posted

The urge to run away from the music I'm working on! Composing can be a daunting task, and I really have to focus so I don't procrastinate with a simpler task that has a clear end in sight, like a household chore. I find that if I'm able to keep myself in my seat and away from the internet then the music will come. That doesn't mean the music flows. The second thing I need to overcome is a feeling of writer's block and worrying for so long about tiny details, like whether or not to include a specific articulation in a single measure. Funny how the music flows at the last minute when you have a deadline to meet...

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