HeckelphoneNYC Posted October 15, 2010 Posted October 15, 2010 Well, repetitiveness is getting worked out. And big orchestra.... well, that's gone. I haven't written for more than a string orchestra in 2 months. I like writing for small groups now. A new problem: Not wanting to write for anything but viola! And when I write something, using a ton of it! But I guess that's not tooooo bad. Quote
Ferkungamabooboo Posted October 16, 2010 Posted October 16, 2010 Hehe.. interesting. I'd love to take a peak at his "collection" :) Aren't there 1728 triads (12*12*12)? I think this points to J. Lee's talented and smart ≠ flawless music thing. I had to overcome listening to bad music. Quote
Violetta Posted November 11, 2010 Posted November 11, 2010 Eternal perfectionism! Every time it seems your piece lacks something, yay... Quote
SergeOfArniVillage Posted November 15, 2010 Author Posted November 15, 2010 Eternal perfectionism! Every time it seems your piece lacks something, yay... Well, depending on how you use it, that could actually be your best ally, I suppose -- if you use it too critically, your never going to be happy with your work. But if you use it as a means to strive for being the best you can be, that's a good trait, I think :nod: Don't overcome it too much :D Just... enough! Quote
keysguitar Posted November 16, 2010 Posted November 16, 2010 Aren't there 1728 triads (12*12*12)? I think this points to J. Lee's talented and smart ≠ flawless music thing. I had to overcome listening to bad music. Actually, there are infinite numbers of triads avalible, yet only (approximatley) 88,000,000 that the human ear can discern. Quote
Audiosprite Posted November 16, 2010 Posted November 16, 2010 my bizarre compulsion to sabotage my own success. Quote
Milenka Posted November 16, 2010 Posted November 16, 2010 First, I had to publicly admit my passion for music. I felt ashamed to say I wanted to be a musician, and moreover that I wanted to compose. As a young teenager, I wasn't feeling good enough and I thought people would laugh at me. Then, even though I was taking piano and basic theory classes, I did not really know how to compose so I created my own little system, full of fantasy, and it made a lot of sense to me, I was writing things I liked and that my friends enjoyed. So when I started to follow more advanced theory and composition classes, I discovered all the inadequacies in my system, and it became impossible for me to use it without feeling cheap. So I became blocked by rules, by the idea that there was right and wrong and I didn't dare write anything at all. It took me months to overcome this, to feel free again. Now the difficulty I have is to talk about my music with words. I always find it a little humiliating and I have no precise idea why. Quote
Black Orpheus Posted November 17, 2010 Posted November 17, 2010 The urge to run away from the music I'm working on! Composing can be a daunting task, and I really have to focus so I don't procrastinate with a simpler task that has a clear end in sight, like a household chore. I find that if I'm able to keep myself in my seat and away from the internet then the music will come. That doesn't mean the music flows. The second thing I need to overcome is a feeling of writer's block and worrying for so long about tiny details, like whether or not to include a specific articulation in a single measure. Funny how the music flows at the last minute when you have a deadline to meet... Quote
Silva Posted November 24, 2010 Posted November 24, 2010 I need to create a more contemporary language D: Quote
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