XavierSX Posted August 17, 2005 Posted August 17, 2005 Have you played them? Difficult or impossible? Talk about your expierence and understanding. There no doubt that it has been a milestone in the 20th century's music. Really, no other works can be such an encylopaedia of instrument playing like that. And, have heard or seen Berio's Sequenza 14(for computer)? Quote
Mike Posted August 17, 2005 Posted August 17, 2005 For computer?? What's it like? I haven't heard that one, but I have heard his sequenza for female voice. You're right - it is a bit of an encylopaedia. All those extended techniques and odd ways of making sounds with the human voice. It was also performed originally by his wife, I think, which I found amusing. Quote
David Posted August 18, 2005 Posted August 18, 2005 Cathy Berberian was indeed the first performer and dedicatee of his Sequenza for solo voice. It's an amazing work, full of wonderful (and amusing) ideas. His Trombone sequenza makes the player take on a role as a clown, both in the music and in physical movement. The Sequenza for Bassoon is incredibly difficult, as it requires the performer to employ circular breathing for a very long period of time. This is difficult enough on the Oboe with its smaller stream of air: on the Bassoon it's nearly impossible. Very few players manage this Sequenza successfully. I'd love to have a go, though... I've heard fragments of his Sequenza for Flute, though I think there's more than one version of that. My memory of those works is somewhat hazy. Quote
oboeducky Posted October 5, 2007 Posted October 5, 2007 Berio doesn't seem like the "wife" type. Anyway, that is beside the point. Yes, I have played the 7th Sequenza on oboe. It's evilly difficuly, but still it is strangely fun. Quote
maittamaitta Posted October 6, 2007 Posted October 6, 2007 I thought Sequenza XIV was for the cello? Quote
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