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Posted

When written enharmonically with D as the root we get the notes: D, E, F, Gb, A, Bb, C#.

Thus, we can see we almost have the scale of D harmonic minor but with a G flat.

In essence it is just a synthetic scale based upon the harmonic minor scale of D, with a flattened fourth degree.

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Posted

can be many reasons for that.. suspended tonality perhaps? Or maybe the tonal center is not the D of the scale, but F like you originally suggested? The latter would then be of course similar to the use of modes, by that i mean all modes have a diatonic key signature but begin and revolve around different degrees of the scale.

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