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Posted

I'm writing a piece with fractal structures in it, but I get stuck in deciding how I could actually apply the math, or if I should just apply more abstract terms like self-similarity, etc.

Posted

Looks like one has to review quite a bit of calculus and foundations of analysis to use them.

Not really, you can use the basic ideas without understanding any of the math too. The problem is just how you want to translate it into music. Even if you use the actual math, it has nothing to do with music so you need to start making interpretative decisions which at the end could lead to results indistinguishable from not having used the math at all.

It's the same thing as representing a building in music: it doesn't necessarily mean you need to have the floor plans or know anything about architecture. It's an interpretative thing, you could do it in a thousand different ways.

  • 4 weeks later...
Posted

I have a friend who is doing his whole Master's thesis on fractals and computer music. The applications of the fractal can be used in a crazy variety of ways, for instance, my friend has written pieces using the fractal as the basis of the form for the piece, as the pitch content, and even once for the dynamic content in the piece. I don't know if I'd actually do fractal music though. I think sometimes I think you can get in a bind with to much repetition, obviously, because that's what a fractal does.

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