Morivou Posted March 6, 2012 Posted March 6, 2012 I think Behind Bars is AMAZING. I think it covers pretty much every possible scenario. We use it at IU. Quote
jrcramer Posted March 6, 2012 Posted March 6, 2012 I always like textbooks and info on how they are received. I don't know them. Does the Caplin only cover classical forms, or also talks about contemporary forms? Quote
composerorganist Posted March 6, 2012 Author Posted March 6, 2012 Cramer - yeah only Classical form since his analysis is heavily tied to common practice harmony. But still, it is a great impetus to think how you could apply his concepts to contemporary music. 1 Quote
jrcramer Posted March 6, 2012 Posted March 6, 2012 Cramer - yeah only Classical form since his analysis is heavily tied to common practice harmony. But still, it is a great impetus to think how you could apply his concepts to contemporary music. sure. but atm I feel like I can mainly think in CP forms, so I welcome anything novel (which includes neo) :) Quote
composerorganist Posted March 7, 2012 Author Posted March 7, 2012 Well there is Perle's Twelve Tone Tonality - wherein he shows how tonal centers are developed using serialism's techniques which in turn leads to larger structural forms. Quote
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