luderart Posted April 19, 2012 Posted April 19, 2012 Reading about harmonizing a melody, I have come across the idea that we don't need to change the chords a lot. One author has even said that a chord may not change for several bars. Another has advocated changing the chords during strong beats. I would like to know how we can stay in the same chord if the notes in the melody are always changing and a chord gives us access to only 3-4 of those notes most of the time? Are we supposed to limit ourselves to these 3-4 notes in the composition of additional parts that accompany the melody? And what about notes in the melody that are out of these 3-4 notes? Are they acceptable? Quote
jrcramer Posted April 19, 2012 Posted April 19, 2012 what ever you want If you want to fit in the boring and cliché area I recommend as little change as possible. But to keep things interesting some transitional stuff works. check for example this great series of anayses of Bachs entire WTK book 1. This is a particular interesting vid on the C# min fugue: 2 Quote
robinjessome Posted April 19, 2012 Posted April 19, 2012 If you want to fit in the boring and cliché area I recommend as little change as possible. Static harmony is boring and cliché? 1 Quote
jrcramer Posted April 19, 2012 Posted April 19, 2012 Static harmony is boring and cliché? not perse, but when you choose to limit yourself you need other ways to maintain interest. you know that, I know that, you know I know that, so, why are you asking? are you just in a nitpicky mood? :shifty: Quote
composerorganist Posted April 20, 2012 Posted April 20, 2012 This is a huge topic ... and the advice you got sounds like something from eHow - hopelessly topical to the point of useless. Here are some pieces to provide you with ideas Perotin Machaut http://www.youtube.com/watch?v=bZxAqWV7a0A Lassus Schutz (very opening and cadences for ideas of how often to change the harmonization) Bach Samuel Sebatien Wesley Faure Schoenberg - late Messaien Ligeti Hope this answers your question 2 Quote
xrsbit Posted April 20, 2012 Posted April 20, 2012 http://en.wikipedia....i/Nonchord_tone Since it seems from your OP that you don't know about these. 2 Quote
orchdork02 Posted April 21, 2012 Posted April 21, 2012 I've noticed that not every note in the melody has to fit with the chord. I usually just make sure the notes on the strong beat fit with the chord and don't worry about the others. Most of the time you don't even notice that they don't fit. Besides, it's good to make it more interesting. Quote
MiggTorr Posted May 25, 2012 Posted May 25, 2012 http://en.wikipedia....i/Nonchord_tone Since it seems from your OP that you don't know about these. This. Quote
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