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Posted

Hey guys, I read that many composers used to improvise in order to come up ith ideas for composition. I was wondering how you guys think they improvised. Did they take the basic harmony of tonic, dominant, subdominant? And I am also interested if you guys improvise in this sence and if so, what are your experiences?

  • 2 weeks later...
Posted

Use a basic chord prgression, anything; then, play around with it. For example: do the same progression, but in different keys. Then try throwing in random chords. Through trial and error, you'll discover something that sounds different. From there, you begin structuring a piece around this particular idea. Eventually things just fall into place and you'll be able to tell what works, and what doesn't work.

Posted

This is generally how  I come up with ideas. I tend to start with types of motion/gestures and then go from there. The hardest thing is having an idea you like and then having to make it concrete (i.e. commit to specific durations and pitches).

  • 4 weeks later...
Posted

I was wondering, because nowadays improvising seems to happen mostly in jazz, while great composers like beethoven and mozart were genius in improvising.

Although I love to improvise on the piano, I never create compositions this way.

Then how do you start? Do you have a specific idea before you start?

Posted

Improvisation is mostly a lost art nowadays. (Jazz has not advanced stylistically since the 70s; contemporary jazz improvisers just mimic.) There are a few people i'll make exceptions for but none of them are composers in the traditional sense.

 

I start compositions by imagining the sounds I want and gradually organising them into sequence. I imagine most composers do the same.

Posted

How do you come up with melodies if not improvising? I think every composers improvise, only in non-fixed composition like jazz you can't edit your work - not to mention the head part - since the solo part is also integral to whole composition. However, you can still not improvise in the way of ripping off.

  • Like 1
Posted

Improvisation is mostly a lost art nowadays. (Jazz has not advanced stylistically since the 70s; contemporary jazz improvisers just mimic.) There are a few people i'll make exceptions for but none of them are composers in the traditional sense.

 

I start compositions by imagining the sounds I want and gradually organising them into sequence. I imagine most composers do the same.

 

Improvisation is alive and well in pop/rock/metal. Especially as a composition tool. There is music beyond art and jazz, believe it or not. 

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