p7rv Posted July 31, 2013 Posted July 31, 2013 This sounds ok to me but I don't really know if valid. The first beat is the end of the previous phrase, and the sudden change of key is purposeful. I'm worried about the octaves. Quote
.fseventsd Posted July 31, 2013 Posted July 31, 2013 In the context of the classical style? No. Quote
p7rv Posted July 31, 2013 Author Posted July 31, 2013 darn. what's the specific problem place though? Quote
.fseventsd Posted August 1, 2013 Posted August 1, 2013 The parallel octaves are the problem places. Quote
p7rv Posted August 1, 2013 Author Posted August 1, 2013 The parallel octaves are the problem places. :[ thx Quote
ComposerByNight Posted August 1, 2013 Posted August 1, 2013 (edited) To avoid your octaves, you could delay the G in the bass while maintaining the same harmony. You could even add a passing note (A) between Bb and G. Just an idea! Edited August 1, 2013 by ComposerByNight Quote
.fseventsd Posted August 1, 2013 Posted August 1, 2013 i'd personally make the l.h. | chord rest rest Bb | D G F# Quote
U238 Posted August 10, 2013 Posted August 10, 2013 Oh man, if that isn't a glaring example of all things terrible. Are you trying to piss off Aloysius? Do you really think you could just get away with that scraggy? Quote
p7rv Posted August 12, 2013 Author Posted August 12, 2013 m. 116 for those who are interested http://www.youngcomposers.com/music/5169/rondo/ Quote
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