Monarcheon Posted August 19, 2016 Posted August 19, 2016 A while back I posted the first movement of this concerto. This is the obligatory slow movement of it, and I think it flows better than the first movement. A lot of inspiration was taken from the Barber violin concerto, and was written kind of a while ago, because I was obsessed with that piece for while; haha. MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu II > next Quote
Luis Hernández Posted August 19, 2016 Posted August 19, 2016 It's wonderful! the general tone is dreamy, a bit sad. The parts are well defined (with tonalities, too). I like a lot how the material is in progress till the tutti in 5:00 and again at 7:00 aprox. I also like how you use that simple but effective motive (black + triplet) changing it from the violin to the piano and back. I think it has all the elements for a good slow romantic movement. It's coherent, beautiful melodies, and interesting. Very nice! Quote
Monarcheon Posted August 21, 2016 Author Posted August 21, 2016 On August 19, 2016 at 10:47 AM, Luis Hernández said: I think it has all the elements for a good slow romantic movement. It's coherent, beautiful melodies, and interesting. Very nice! Thank you very much! The third movement is kind of a joke movement at the tempo I marked it at so I don't know if I'll be posting that one. :D Quote
danishali903 Posted August 23, 2016 Posted August 23, 2016 This is a good slow movement. You have nice melodies, and the structure is solid (compared to the first movement where the sections were more jarring). I can hear and see the Barber influence, but thankfully you added your own language and not just straight up imitate. My only complaint is that its a little too monotonous in terms of harmony and chord progression. Also, some of the tutti passages (mostly bar 88), while they sound lovely, seem a bit melodramatic...but maybe thats just me. Quote
Monarcheon Posted August 23, 2016 Author Posted August 23, 2016 7 hours ago, danishali903 said: My only complaint is that its a little too monotonous in terms of harmony and chord progression. Also, some of the tutti passages (mostly bar 88), while they sound lovely, seem a bit melodramatic...but maybe thats just me. Thanks again for commenting; hm, I can see what you mean with the progressions. Perhaps I was just too focused on the melodies. Quote
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