Luis Hernández Posted September 23, 2016 Posted September 23, 2016 Other times, I learn a lot making piano reductions from works I love. Crisantemi is an elegy composed by Puccini ¡¡in one night!! the day that the duque "Amadeo de Saboya" died. It's a less known work, because of his operas, of course. Written for string quartet, it is actually performed nowadays by a string orchestra. The version for the quartet is wonderful. Here is my version: MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu CRISANTEMI > next PDF CRISANTEMI Quote
Monarcheon Posted September 23, 2016 Posted September 23, 2016 Generally, I think it's a pretty good rendition. I was a little confused by the ornaments and "interest keepers" you threw in here and there but I got over it over time. Some score-building issues at 68 and 70, but most of them have to do with an askew slur here or there. Pretty nicely done. Quote
Luis Hernández Posted September 23, 2016 Author Posted September 23, 2016 Strange. I have only added two things that were not in the original score: M. 7: the arpegio (right hand) M. 46: the canon Everything else was written (in other form) by Puccini, my effort here is to make it playable (in a piano), and keep all the important stuff. When I work on this kind of reductions I stick strictly to the original. Otherwise I would say it's a "Fantasy on ... whatever". Quote
Monarcheon Posted September 23, 2016 Posted September 23, 2016 3 minutes ago, Luis Hernández said: Strange. I have only added two things that were not in the original score: M. 7: the arpegio (right hand) M. 46: the canon Everything else was written (in other form) by Puccini, my effort here is to make it playable (in a piano), and keep all the important stuff. When I work on this kind of reductions I stick strictly to the original. Otherwise I would say it's a "Fantasy on ... whatever". Is that so? Hm, maybe I played an arranged version of this, then. I mean, I'm totally with you in that I like to stick to the original, I guess I just hadn't remembered it correctly. I'll take a look at it with imslp again later. Quote
Luis Hernández Posted September 23, 2016 Author Posted September 23, 2016 Yes, you're right. I have also seen scores that are no reductions but fantasies. It's a different thing. I like to observe the original because I learn more if I try to keep the harmonies and melodic lines. Quote
fishyfry Posted September 24, 2016 Posted September 24, 2016 Maybe the confusion is a matter of differences between the original for string quartet and the string orchestra version? Quote
Luis Hernández Posted September 24, 2016 Author Posted September 24, 2016 14 hours ago, fishyfry said: Maybe the confusion is a matter of differences between the original for string quartet and the string orchestra version? I think the orchestra and the string quartet versions are the same because it is played by a string orchestra with the same distribution (violin I - violin II - viola - cello). Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.