Luis Hernández Posted October 25, 2016 Posted October 25, 2016 Is it complete? I think there are two parts. It sounds baroque-baroque. In spite of the midi sound, I think it's nice. However I miss some change (the tempo is the same always? I mean, no slower parts). Not sure if there is some sort of modulation, which would give more variation. Here and there I see some strange things: the time signatura in the ending (17/16) is more of the XX century music. For example, in measure 13 the higher voice leaps a descending major seven (odd in this perios, and difficult to sing). Besides Quote
Monarcheon Posted October 25, 2016 Posted October 25, 2016 3 hours ago, Luis Hernández said: Is it complete? I think there are two parts. It sounds baroque-baroque. In spite of the midi sound, I think it's nice. However I miss some change (the tempo is the same always? I mean, no slower parts). Not sure if there is some sort of modulation, which would give more variation. Here and there I see some strange things: the time signatura in the ending (17/16) is more of the XX century music. For example, in measure 13 the higher voice leaps a descending major seven (odd in this perios, and difficult to sing). Besides Perhaps those engraving things are a result of the MIDI misinterpreting a rit or something. MIDI with Finale works in odd ways sometimes. I generally agree with Luis, a little more focus to structure would be inviting, but on the whole not the most necessary. Quote
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