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Posted

Lovely work with a great consistent rhythm. I was happy to hear it played with throughout rather than just staying monotonous the entire time. For me, there's not enough bass... quite treble heavy. In addition, more percussion for a style like this could benefit you in its dramatic effect.

Posted

Wow great start! Definitely not what I was expecting. I just have a couple of questions/concerns that I can come up with as of now, even though there is  no score to view. My first would be the fact you have a piano. Which is great I think it sounds great in the context of the piece, just make sure you address the piece as a suite for orchestra and solo piano, because no classical orchestras have a piano, and not many modern ones do either unless called for in a piece like yours. I would love to take a second look at it if you attach the score. Great start!

 

-Aidan 

Posted
1 hour ago, AidanCaronMusic said:

...because no classical orchestras have a piano, and not many modern ones do either unless called for in a piece like yours...

I really don't think that's a problem. This functions like a less intensive-piano version of Rhapsody in Blue... a concertante, but not overwhelmingly so, especially in this context. I would not call Rhapsody a piece for solo piano and orchestra necessarily, and therefore would have less reason to call this one the same. 

Posted

Thank you guys for the comments! I'm happy you liked it! :)

I'm attaching the score now so I may get some more tips on erchestration (not my field of expertise)

@Monarcheon I was thinking about using percussion but I didn't in the end because it made the piece sound more bossa nova/jazz style and wanted to keep it more strict. I wanted it to sound like something to be performed by a classical orchestra in a concert hall, not like a jazz ensemble playing in a night club if you know what I mean. I totally agree with the to much treble not enough bass comment. I should have insisted on that with my studio guy... Will do so in the next 3 parts of the suite ;)

 

@AidanCaronMusic Yes, I am a pianist most of the time so maybe I've given the piano a more prominent role than it should have... Still it never plays "solo" and almost never has the leading voice-melody so I don't think I should address the piece as Suite for Orchestra and Piano... It somehow doesn't sound right.. Will think about that though. 

PDF
Posted (edited)

Ohh, it is a nice tango! Very smooth and clean sound. I can feel many emotions and it's very pleasant. I think only, that the ending need more tension before break and composition have not enough bass frequencies. This low cello section or even a double-bass, could give a much, much more energy through your piece. 
I really like it!

Edited by S.G. Faustmann
Posted (edited)

Thank you @S.G. Faustmann

Yes I think you are right about the frequencies. Will add more amp in the bass if I publish it commercially. To be honest I asked my studio-guy for more amp in the low frequencies but he thought it was ok, so I didn't insist on that, I had already made him crazy with all that voicing and dynamics this 3 and a half minute piece contains ;)

:cool:

Edited by Dchrisanthako
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