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15 piano pieces by Jérémie Lhomme

Featured Replies

Hello!

I'm Jérémie. I'd like to introduce you to my music and, maybe get some useful feedbacks. :)

 

I hope that listening to it will be a pleasant experience. Have a great day! :)

 

Jérémie

Bonjour Jérémie,

 

Bienvenue sur YoungComposers.com ! J’espère que vous trouverez les bons conseils et une ambiance assez conviviale et accueillante ici.

Vous devez m’excuser si je fais des fautes orthographiques ou de grammaire ; il me servira bien de pratiquer mon français écrit quand même pour que je puisse m’améliorer.

 

 

Je m’intéresse au playback ; car il y a une fluidité du tempo, il me semblait que ces morceaux fussent joués par un pianiste vrai, mais les signes révélateurs sont la clarté artificielle et la réverbe profonde qui ressemble plutôt un accompagnement des instruments à cordes insolites et éthérés . J’ai trouvé tous les morceaux charmants et agréables, bien qu'ils soient un petit peu homogènes, étant donné qu’ils ont les figurations pareilles et cetera. On peut dire que les morceaux sont étés influencés par Chopin tout d’abord, mais j’ai aussi entendu Liszt, les compositeurs français s’épanouissant autour de la fin du XIXème siècle comme Debussy, Ravel, Fauré et Satie, et la musique plus contemporaine, voire « pop piano ». Le première morceau, la « Valse Perdue de Chopin », a m’attiré le plus, mais il est un petit biscornu puisque vous terminez la valse dans une tonalité différente et bien éloignée (do dièse mineur) de celle du début (mi bémol majeur) ; en outre la fin n’est pas satisfaisante. Néanmoins vous êtes doué d’une sensibilité romantique pour les possibilités texturales et de couleur du piano, et les mélodies … comment dire, ‘carry through’.

 

 

Pardon, mais c’est vraiment difficile á donner les « feedbacks » plus utiles sans les partitions, et en plus je ne peux pas encore traduire couramment mes pensées …

  • Author

It's ok :). A second language is not that easy to master!

I entered the MIDI data by actually playing the piano. The sound though, is provided by IVORY II. I like what you said about my influences as some of those are actually unconscious or accidental. I'm taking note about that ending that left you with an unsatisfying feeling. :forlorn:

Thank you very much for both the compliments and critics as well as for taking the time to listen to my music.  :grin:  Happy to have joined this forum!

Ah, vous auriez pu me répondre en français ! But we should really use English for the benefit of our other members (and perhaps for your benefit, too, for the same reason it was for me to practise my French). That's interesting to know about the playback - it was certainly handled very sensitively. But do you actually have the scores for these pieces (or are you not comfortable with sharing them with us here)? In any case, I hope you'll find your stay on the site productive!

  • Author

I have the score for some of those. Which one are you curious about?

I think your waltzes are lovely! Thank you for sharing. I especially enjoyed Op. 3. Without having seen the score, I appreciate the sense of movement you create with the harmony and by changing registers. You have a really nice touch. Just a small critique: the ending on Op. 3 felt a bit abrupt. Could you perhaps build up to it a bit more gradually, or prepare the listener for the impending ending? It seems like you're playing with a nice musical idea, and then suddenly it ends.  I felt the same about the Opus 1 waltz as well. Beautiful music, but the ending came out of nowhere. Great work overall!

  • Author

@Seni-G  Thank you for your comment!! I will try to keep what you said in mind. :)

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