cloud10000 Posted January 3, 2017 Posted January 3, 2017 this piece was composed a few years earlier, but remastered recently and improved the sound effect, originally, it is a vocal music with lyric, but as a result that the computer can't sing lyric, it appears now as a song without words, it is composed and orchestrated by myself, hope everyone like it. MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Op46 Remastered > next PDF Op46 full score Quote
Monarcheon Posted January 10, 2017 Posted January 10, 2017 This piece isn't as strong to me as your others. Awkward passing tone changes from strings to piano, especially when they try to play either in canon or in inversion. Your soprano solo line (I think that's what it is), is incredibly low and practically out of range. The other voices could also use a bump up. Piano writing's fine, I think you have that nailed down, but bowings in strings and lack of specific attention to bass notes makes this sound relatively generic and something that could use a lot more orchestration practice. Quote
Opaqueambiguity Posted February 15, 2017 Posted February 15, 2017 Opus numbers are general not assigned to every finished piece, it is a cataloguing technique generally applied to published pieces. However, you can organize your catalogue however you want, just letting you know what the standard practice is. Sort of light and fluffy isn't it. Maybe it's the starving artist in me, but I can't get much into pieces without some sort of angst going on. Fluffiness is cool, but it only makes sense to me when presented with a strong contrast with a very not fluffy movement, or a more conflicted overarching theme of some kind. This made me feel like dancing through the forest during a light snow with butterflies and bunnies. I know snow is bad for butterflies, but that's missing the point here. Quote
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