Luis Hernández Posted April 9, 2017 Posted April 9, 2017 This is very short, I know. The fact is I'm starting to learn about writing for the harp, which is fascinating. I know the notation of the pedal changes is unnecessary but I write them just for me. I love the sound of the harp and its possibilities. For now, I only want to do little pieces that are supposedly right, from the playing point of view. TULIPS.pdf MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu TULIPS > next PDF TULIPS 1 Quote
Monarcheon Posted April 9, 2017 Posted April 9, 2017 Lovely! I question why you use 10/8 instead of 5/8 when the bars can be split in the first place. Those big chords might prove to be a little bit of a problem since the fourth finger would have to bend to play immediately after the third finger, going bottom up. But it's really quite nice and I think all the pedals are good since it's almost completely in two harp modes. Cheers! Quote
Luis Hernández Posted April 9, 2017 Author Posted April 9, 2017 Thanks a lot! This kind of comments are valuable for me! Well, I wrote 10/8 because, harmonically, I considered them as units not only because the 4 note upper figure repeats but also for the notes in the bass. I'm studying scores (while listening), which is perfect to learn (from the masters!). Cheers! Quote
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