Jump to content

Recommended Posts

Posted

This is very short, I know.

The fact is I'm starting to learn about writing for the harp, which is fascinating. I know the notation of the pedal changes is unnecessary but I write them just for me. I love the sound of the harp and its possibilities. For now, I only want to do little pieces that are supposedly right, from the playing point of view.

TULIPS.pdf

MP3
0:00
0:00
PDF
  • Like 1
Posted

Lovely! I question why you use 10/8 instead of 5/8 when the bars can be split in the first place. Those big chords might prove to be a little bit of a problem since the fourth finger would have to bend to play immediately after the third finger, going bottom up.
But it's really quite nice and I think all the pedals are good since it's almost completely in two harp modes. Cheers!

Posted

Thanks a lot!

This kind of comments are valuable for me! Well, I wrote 10/8 because, harmonically, I considered them as units not only because the 4 note upper figure repeats but also for the notes in the bass.

I'm studying scores (while listening), which is perfect to learn (from the masters!). 

Cheers!

 

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...