Monarcheon Posted August 13, 2017 Posted August 13, 2017 Now I'm scared to end the piece since it's going to be so radically and uncomfortably different... Quote
Vadrif D. Zobrist Posted August 13, 2017 Author Posted August 13, 2017 13 minutes ago, Monarcheon said: Now I'm scared to end the piece since it's going to be so radically and uncomfortably different... @Maarten Bauer can do some magic and set it up, the factor lies in the transition though. It will be nothing short of awesome however, the sudden change will be shocking as well as mesmerizing. Quote
Maarten Bauer Posted August 14, 2017 Posted August 14, 2017 Here is my part. I tried to make a sort of bridge between the fast part of Ilv, but I also wanted to have some swing in it. The Adagio part is meant to make it easier for @Monarcheon to compose a more classical part. I hope you like it. I have attached the score in PFD so that you can see which notes below to which instrument. Collab Maarten Bauer Vadrif D. Zobrist.mp3 Collab Maarten Bauer Vadrif D. Zobrist.pdf Collab Maarten Bauer Vadrif D. Zobrist.mid MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Collab Maarten Bauer Vadrif D. Zobrist > next PDF Collab Maarten Bauer Vadrif D. Zobrist Quote
Vadrif D. Zobrist Posted August 14, 2017 Author Posted August 14, 2017 I loved the slower tempo part, it's awesome! I encounter a problem now though, my plan was to merge everything together not in their audio file state, but rather as .midi files (notes), then assign instruments to them. Unfortunately I don't have matching VSTi, I'll try to find something that fits though. 1 Quote
Vadrif D. Zobrist Posted August 14, 2017 Author Posted August 14, 2017 (edited) 17 minutes ago, Vadrif D. Zobrist said: I loved the slower tempo part, it's awesome! I encounter a problem now though, my plan was to merge everything together not in their audio file state, but rather as .midi files (notes), then assign instruments to them. Unfortunately I don't have matching VSTi, I'll try to find something that fits though. Does this version represent it accurately? Does it sound good enough? I don't know how the alto saxophone sounds incredibly different, but I assume the marimba(s) at least sound good enough. Still struggling with uploading issues.. Edited August 14, 2017 by Vadrif D. Zobrist Quote
Maarten Bauer Posted August 14, 2017 Posted August 14, 2017 3 hours ago, Vadrif D. Zobrist said: Does this version represent it accurately? Does it sound good enough? I don't know how the alto saxophone sounds incredibly different, but I assume the marimba(s) at least sound good enough. Still struggling with uploading issues.. The marimba can be clearer The passage beginning in m.17 is namely barely audible. The alto and marimba seem to sound in two different keys. . . Or at least some notes are not correct. What I always do, is I give the saxophone part the sound of a bassoon. This makes it at least sound something like saxophone played with classical embouchure. Maybe you can do that too and this might also fix the 'tonality' problem. Quote
Maarten Bauer Posted August 14, 2017 Posted August 14, 2017 18 minutes ago, ilv said: @Maarten Bauer, I love your contribution. I had to tweak the end of mine or otherwise the transition from mine to yours would be awkward. Collab1.mid Wonderful! The baroque influence is evident, but the modern syncopations make it so cool! Love the transition! Quote
Monarcheon Posted August 14, 2017 Posted August 14, 2017 Here's mine. MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Sketch No. 229 > next Quote
Maarten Bauer Posted August 14, 2017 Posted August 14, 2017 2 minutes ago, Monarcheon said: MIDI Sketch No. 229.mid Epic! I will create a transition that makes the change to your part more smooth! Quote
Monarcheon Posted August 14, 2017 Posted August 14, 2017 Just now, Maarten Bauer said: Epic! I will create a transition that makes the change to your part more smooth! Thanks! What could be cool is if you end your piece with a buildup on the dominant or something with a crescendo so the cluster chord comes out of nowhere. Quote
Maarten Bauer Posted August 14, 2017 Posted August 14, 2017 1 minute ago, Monarcheon said: Thanks! What could be cool is if you end your piece with a buildup on the dominant or something with a crescendo so the cluster chord comes out of nowhere. Great idea, I will share it tomorrow! Quote
Monarcheon Posted August 14, 2017 Posted August 14, 2017 10 minutes ago, ilv said: @Monarcheon, I love your contribution too. I'm worried it might be too out there... Quote
Maarten Bauer Posted August 15, 2017 Posted August 15, 2017 I have tried to make a transition based on the V7 of F minor as @Monarcheon suggested. Hopefully, it is good enough. Collab Maarten Bauer Vadrif D. Zobrist.mid MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Collab Maarten Bauer Vadrif D. Zobrist > next PDF Collab Maarten Bauer Vadrif D. Zobrist Quote
Vadrif D. Zobrist Posted August 15, 2017 Author Posted August 15, 2017 (edited) 12 minutes ago, Maarten Bauer said: I have tried to make a transition based on the V7 of F minor as @Monarcheon suggested. Hopefully, it is good enough. Collab Maarten Bauer Vadrif D. Zobrist.mid Magnificent Transition! Edited August 15, 2017 by Vadrif D. Zobrist 1 Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.