Zwaantje

Hey guys,

Thought I'd share a piece. Dedicated to my grandmother, the most kind soul and powerful soul you could imagine.

It's going to be on my debut album, containing piano music and orchestral soundtracks. Will release it in the near future.

Cheers for listening.

One Love

1. You could sustain instead of writing very long notes.

2. Close notes on the bass might sound muddy.

3. Overall great, I'm waiting for the four hands arrangement :)

4. For some reason it made me want to listen to the ffx-2 opening titles.

If you want to listen:

I kinda like the muddyness of the bass haha. Gave a little bit of contrast between the euphoric aspects and the darker tonality in the piece. But yeah I definitely understand to watch out with that.

Yeah I just produced it with long notes to keep the warm energy. I'm not a pianist so to be honest I don't even exactly know how sustaining works. I recently decided to pursue learning actual piano so I'll think I'll pick all that stuff up.

I realize some parts are unplayable with just two hands, atleast I think so. That's why you referred to four hands arrangement right?

Yeah I like that soundtrack. I see why you went there haha. Has a very emotional touch to it.

Cheers for listening.

9 hours ago, benyamind said:

I kinda like the muddyness of the bass haha. Gave a little bit of contrast between the euphoric aspects and the darker tonality in the piece. But yeah I definitely understand to watch out with that.

Yeah I just produced it with long notes to keep the warm energy. I'm not a pianist so to be honest I don't even exactly know how sustaining works. I recently decided to pursue learning actual piano so I'll think I'll pick all that stuff up.

I realize some parts are unplayable with just two hands, atleast I think so. That's why you referred to four hands arrangement right?

Yeah I like that soundtrack. I see why you went there haha. Has a very emotional touch to it.

Cheers for listening.

 

 

Yea, that's what I meant by four hands, but not only that.

I think it's simple and playable enough to be given as a teacher-student four hands piece (maybe to teach students about sustaining?)

Some people might be able to play it with their two hands, I personally don't think I can...

Yeah I think there are a couple of impossible moments actually. It was intended to be playable by two hands. There's someone who's gonna help me with the notation (and correct the unplayableness) so I'll make sure to post the notated work here.

In the future I'm hoping to be able to live record compositions and notate them myself.