MeisterSegarra Posted April 9, 2018 Posted April 9, 2018 This is a "light" music symphony. It's inspired by the European danceable music. The Scherzo (Danza, Mov. 3) it's made in a folcklore music genre from Puerto Rico (which is where I live) Any opinion and critics are welcomed. I. Andante - Tempo di Valse II. Adagio III. Danza IV. Con brio MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu I._Andante_-_Tempo_di_Valse II._Adagio III._Danza IV._Con_Brio > next PDF I. Andante - Tempo di ValseII. AdagioIII. DanzaIV. Con Brio 1 Quote
Willibald Posted April 10, 2018 Posted April 10, 2018 A very expansive work, covering a lot of ground. It surely consumed a lot of time to compose it. Time well spent as the symphony is really pleasant to listen to. Sometimes, you are in danger of losing sight of what you originally wanted to express in a movement (or to put it differently: You really have a wealth of ideas, sometimes I just get the feeling you could structure them more effectively.) Also, the danger of producing a sound carpet is imminent, especially as you deploy a rather larger orchestra for your music. Often, thinning the texture could increase variety and give you options for exploring different soundscapes without needing new material for it. I write in general terms as I can just give you a few impressions. Unfortunately, I do not have the time to analyse your score in detail. Nonetheless, I hope this helps a bit. Quote
MeisterSegarra Posted April 14, 2018 Author Posted April 14, 2018 On 10/4/2018 at 4:03 AM, Willibald said: A very expansive work, covering a lot of ground. It surely consumed a lot of time to compose it. Time well spent as the symphony is really pleasant to listen to. Sometimes, you are in danger of losing sight of what you originally wanted to express in a movement (or to put it differently: You really have a wealth of ideas, sometimes I just get the feeling you could structure them more effectively.) Also, the danger of producing a sound carpet is imminent, especially as you deploy a rather larger orchestra for your music. Often, thinning the texture could increase variety and give you options for exploring different soundscapes without needing new material for it. I write in general terms as I can just give you a few impressions. Unfortunately, I do not have the time to analyse your score in detail. Nonetheless, I hope this helps a bit. Thanks!! Quote
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