Op109 Nr1 Prelude

Hello everyone, I'm back, this is the piece I newly composed, hope you like it

Good example of how to establish a tonal center in a non functional music.

Have you been listening to Voiles (by Debussy)? He forces Bb as tonal center in an obsesive way (like you do here, but stronger).

I like the impressionistic sound and I'm glad you use different scales.

I see you've taken care to make the piece playable in general..., but in some spots I think it's quite difficult (or not possible except you roll the nots): m. 45, 46... left hand.

is it based of of a 6 tone row?