E.Frantz Posted August 17, 2018 Posted August 17, 2018 (edited) Edited November 11, 2018 by E.Frantz Revised the score key signature PDF Evan Frantz Op.12 No.1.4 - Score 1 Quote
Monarcheon Posted August 17, 2018 Posted August 17, 2018 May I ask why you have the enharmonic spellings of certain notes in the beginning (and throughout). The F major chord, especially, is a little weird to have Bbb in it. Even weirder is the D∆7/6 chord 9. It's not diatonic to your key, so no need to feel like it is. The chords themselves are quite nice. In fact, I would just write this piece without a key signature, since you seem to deviate from it so much. The half note sections in the latter half of the piece take away from the momentum you build with these bigger chords, I feel. mm. 36-39 were my favorite because of parallel structure that could have hinted at a more growing motion, but unfortunately it never really came. Nice chord choices, overall. Quote
E.Frantz Posted August 17, 2018 Author Posted August 17, 2018 Yes probably would have been better off with no key signature! I selected all notes and just let Finale spell it out according to the key signature. I really appreciate the critique! Thanks! Quote
Alexblog Posted August 18, 2018 Posted August 18, 2018 Πολύ ωραίο! Η αναπαραγωγή από ποιο μουσικό πρόγραμμα έχει γίνει; ή μήπως έχει γίνει από κάποια ορχήστρα; Very nice! Playing from which music program has it been made? or has it been made by an orchestra? Quote
eternum1968 Posted August 18, 2018 Posted August 18, 2018 (edited) Wonderful piece! Optimal use of rests and harmonies are impressive. Nice work. Edited August 18, 2018 by eternum1968 Quote
E.Frantz Posted August 18, 2018 Author Posted August 18, 2018 (edited) thanks y’all! @eternum1968 @Alexblog @Monarcheon For this recording I used a Roland keyboard with some string sound. Edited August 23, 2018 by E.Frantz Quote
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