Christopher Dunn-Rankin Posted August 16, 2006 Posted August 16, 2006 "To hell with all these theories, if they always serve only to block the evolution of art and if their positive achievement consists in nothing more than helping those who will compose badly anyway to do it quickly." -Schoenberg, Theory of Harmony Quote
montpellier Posted August 17, 2006 Posted August 17, 2006 "To hell with all these theories, if they always serve only to block the evolution of art and if their positive achievement consists in nothing more than helping those who will compose badly anyway to do it quickly." -Schoenberg, Theory of Harmony Come on, be fair, Mr Schoenberg! Think of all those academics who'd be on unemployment benefit! The rules were invented by academics for academics. The institutes would be badly hit because they'd have nothing to examine except performance. Quote
Lord Sorasen Posted August 28, 2006 Posted August 28, 2006 Interesting quote. We need a ful thread just for quotes Quote
PianoManGidley Posted August 28, 2006 Posted August 28, 2006 I started questioning the general theory that we were presented in college for a while, until my composition professor noted that they should be viewed more as suggestions and guidelines than solid rules. No one says you HAVE to compose using established theory--just that if you wanted to understand why the Western ear has developed the way it has and why we find certain sounds more pleasing than others, then you have music theory to thank. Quote
Monkeysinfezzes Posted August 28, 2006 Posted August 28, 2006 "There is stupid, and then there's everything else." -- Monkeysinfezzes. Quote
Guest JohnGalt Posted August 28, 2006 Posted August 28, 2006 No you don't. Theory doesn't explain why human ears like what and which, are you insane? Human ears explain why human ears like music! Music is so delightfully universal that it changes from ear to ear whilst remaining exactly the same. It's science, math, and pure undiscovered emotion that makes it the supernatural thing it is. Theory actually does explain how the Western ear has developed. As a society, the west's ear is much different from the east's. In this case, you're wrong Nico. It does not remain the same from ear to ear, but does so only from society to society. Just curious, but have you taken formal theory classes, or music history? If you haven't, then it's easy to see why you think that. You'll be taught otherwise. Our collective ears have all changed together. Western music is very different than other forms, and theory shows just how that developed. Quote
Guest JohnGalt Posted August 28, 2006 Posted August 28, 2006 Sure. I'm pretty advanced in theory. It might explain how the ear developed, but it does NOT explain why the ear liked it. Which is what he said. Yeah it does. It's what we've come to learn as being good sounding. You hear the same cadences all your life, you're going to think they sound good. Quote
Guest JohnGalt Posted August 29, 2006 Posted August 29, 2006 There has been some entirely radical music written in a time of conventionalism. People hated this at first, and you might think this proves your point. But it's not theory that proves this, it's society. What music people are used to, people will like, but they don't like it for the soul reason of its long existance. And so theory is changed. We didn't keep Gregorian Chants, did we? No, we added to them. Theory expands and retroforms with the pushing of the envelope. Atonality is an example. Quote
Guest JohnGalt Posted August 29, 2006 Posted August 29, 2006 theory is math. Music is soul. Society adapts to new mathematics, but all emotions in music are kept. Emotions are kept, how they are invoked changes. Quote
Guest JohnGalt Posted August 29, 2006 Posted August 29, 2006 now you're arguing about something completely different. :laugh: Isn't that what I do best? :laugh: Quote
Dirk Gently Posted August 29, 2006 Posted August 29, 2006 Hey, I have this book :mellow:. I haven't really read it much yet (just got it), but it looks good. Quote
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