Samuel Tang Posted May 19, 2019 Posted May 19, 2019 (edited) This is a my first piece for String ensemble and solo violin. I will say the harmony is a fusion of neo-classical, late romantic and asian (japanese) harmonies. Hope you guys will enjoy it. Edited May 19, 2019 by Samuel Tang MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Ruthless love > next PDF Ruthless love' Quote
Luis Hernández Posted August 20, 2019 Posted August 20, 2019 Emotional piece. I like it. It reminds me the style of nordic composers of our days (but without any dissonances, perhaps). 1 Quote
Marc Deflin Posted August 24, 2019 Posted August 24, 2019 Hi Samuel 🙂 I really enjoyed your piece. You're quite a talented composer for sure 🙂 Hang on ! Quote
bryla Posted August 24, 2019 Posted August 24, 2019 I would encourage you to study up on string bowings. Your slurs are way too long for how it would be performed. Quote
SilverWolf Posted August 25, 2019 Posted August 25, 2019 @bryla I'm new to writing for strings, but how long would you recommend for each of the up/down bows? Quote
Tónskáld Posted August 25, 2019 Posted August 25, 2019 As you already know, I'm a big fan of your music, and this piece certainly doesn't disappoint! I enjoyed the sustained notes, which is unlike your previous works on this site. As a suggestion, I would shorten any pizz notes to nothing more than quarter notes, since the life of a plucked note is very short, and convert any remaining length to its respective rest. For example, the final notes should be written g-quarter (pizz), rest, g-quarter, rest. It might also be nice to give the cellos and violas the melody sometimes, although I realize this piece was intended to showcase the violin. Fantastic job, overall! I enjoyed this! Quote
bryla Posted August 26, 2019 Posted August 26, 2019 11 hours ago, SilverWolf said: @bryla I'm new to writing for strings, but how long would you recommend for each of the up/down bows? It depends on lots of things especially tempo, dynamic and phrasing and how it connects to strong and weak beats. One could start with not exceed the bar with a slur and not have two identical consecutive pitches in a slur. Like in this piece between bar 1 vln1 D5 and bar 2 vln1 D5. Either that's a tie meaning one long note equal to 6 beats or it's two separate bows (it doesn't mean it's not legato though). Also a notation tip for Sibelius here: When inputting dynamics make sure to hold down cmd (or ctrl on windows) whilst typing 'p' or 'mp'. This makes it the right typeface and makes it play back correctly. 1 1 Quote
Guillem82 Posted August 26, 2019 Posted August 26, 2019 Wow, nice harmonies in there, notable work! What VST are your using? Quote
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