Kyrie in G minor

Hi, 

here is my new Kyrie in G minor in classic style. 

Vocal: sopran, alto and SATB Choir

Instruments: Oboe, strings and continuo

As always, I'm looking forward to your comments. 

Regards!

I think sounds convincing 😀. I like particularly the "kyrie" parts where you introduce a G major chord and then repeat the sequence F major.

Thanks for your comments Ruthie!

It is a shame that no one has sung this(at least that I know of), it would be really good! good job! 

Thanks a lot @isuckatcomposing! Comments like yours make me keep on working :)

Of course it would be a dream to get it played by a real orchestra...

Great work. It's like a concertante for oboe and voices.

Thanks for your comment Luis!

Muchas gracias por el comentario!

Very nice though it sounds closer to baroque than classical.  Similar to Luis' impression, to me it's almost like a concerto grosso for voice, oboe and strings. 

More of a personal preference but I would have likely to see more interplay/counterpoint among the voices since the vocal lines are predominantly homophonic and tutti.  Splendid work otherwise. 

nice to hear dear. We are also dealing into Classical Choral Music Classes in Rockville Maryland USA. After seeing your update I am very motivated 

Thanks

@bkho and @ChorSymphonica, thanks a lot for your comments!

That's great!

M.59 feels specially pleasing. 

I agree that it sounds a bit baroque which I don't think is a problem at all. You may even take that as a compliment.

It feels consistent and amusing throughout.

Good job!

Hi @Jean Szulc,

I really appreciate you comments.

Thanks!

Nice job!  The end sounds like after the choir ends there could be a faster denouement for just the strings and oboe and continuo.  I don't know if that's common for pieces like this to end that way - maybe I heard an ending like that somewhere in the Baroque era before?  I enjoyed listening so thanks for sharing!

On 1/6/2021 at 1:18 AM, PaperComposer said:

Nice job!  The end sounds like after the choir ends there could be a faster denouement for just the strings and oboe and continuo.  I don't know if that's common for pieces like this to end that way - maybe I heard an ending like that somewhere in the Baroque era before?  I enjoyed listening so thanks for sharing!

 

Thanks for you comments 🙂!