Etude-Tableau in B major

Composition completed on 06/04/2016

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Why is m. 25 1/4 and m. 27 2/8?

The time signatures make absolutely no sense. Not only do you have the two measure that Monarcheon mentioned... but why did you choose to go from 6/8 to 6/16 at measure 61?! I could understand if you were using the 6/16 for a new rhythmic figure... or changing the texture.. but all you did was arpeggiate a chord down while playing the same left hand pattern that was in the previous measure. This doesn't equate aurally to a different sense of rhythm at all -and the score doesn't show any need for it.

That said, I love the more adventurous harmony towards the beginning of the piece. You handle melody nicely.