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Posted

I recently finished the musical I've been working on and starting writing this as a potential prologue to another one. I got about this far, but am unsure where to really go with it from here. 

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Posted

Difficult. Reminiscent of Terry Riley or Mike Nyman who would continue in the same vein until a need for change or the end occurred. Possibly you could bring in/fade in more sustained material around it if intending a change of tempo. Or possibly emphasising notes to form a rhythm to extract new material from the fragment based on the accented notes? 

  • 1 month later...
Posted

I agree with Quinn, but other possible solution could be a really constrating section there that eventually evolves to the main material, or either holds the constrast. As it's a prologue, I belive the fact that the feeling of something more coming: "this is just the start" is precisely the most indicated one.

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