panta rei Posted December 7, 2019 Posted December 7, 2019 I thought that I had finally finished my 4th étude, but then I found several errors, so I will post it later. In the meantime, I am posting an earlier étude (nr2), which I revised quite a lot about two years ago. I dedicated it to a great pianist and friend, who passed away. I would like to know what you think of it. MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu Ètude nr 2 > next PDF Ètude nr 2 2 Quote
J.Santos Posted December 8, 2019 Posted December 8, 2019 (edited) Great piece!! I love it a lot, it's very Schumman/Schubert alike or at least I think so Edited December 8, 2019 by J.Santos Quote
panta rei Posted December 11, 2019 Author Posted December 11, 2019 On 12/8/2019 at 11:28 PM, J.Santos said: Great piece!! I love it a lot, it's very Schumman/Schubert alike or at least I think so On 12/9/2019 at 10:24 AM, alex2east said: A very beautiful piece! Thanks a lot for your feedback, and I am glad that you like the piece. In fact, Schumann/Schubert are some of my favourite composers, and a lot of my inspiration comes from their style. My new étude is now ready, and I will post it very soon. Quote
PeterthePapercomPoser Posted June 19, 2021 Posted June 19, 2021 I might be a little late but I enjoyed this piece as well. The constant sextuplet 16th notes keep the forward motion going without getting repetitive. I noticed that you start the piece in C# minor but end in F# minor and also, many phrases in the middle tonicize C# minor at the end while others tonicize F# minor - maybe this constant playing around with the tonality is what keeps it subliminally interesting for me? Probably also the liberal use of neapolitan and augmented 6th chords. Thanks for sharing! Quote
panta rei Posted June 21, 2021 Author Posted June 21, 2021 On 6/19/2021 at 9:35 PM, PeterthePapercomPoser said: I might be a little late but I enjoyed this piece as well. The constant sextuplet 16th notes keep the forward motion going without getting repetitive. I noticed that you start the piece in C# minor but end in F# minor and also, many phrases in the middle tonicize C# minor at the end while others tonicize F# minor - maybe this constant playing around with the tonality is what keeps it subliminally interesting for me? Probably also the liberal use of neapolitan and augmented 6th chords. Thanks for sharing! Hello Peter I was pleasantly surprized to get another feedback on this piece after posting it for more than a year ago. Thanks a lot, and I am very glad that you like it! Best regards Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.