chorale harmonized and orquestrated (chorale problem from Korsakov's harmony teatrise)

Hello everyone! 🙂

These days I am studying Korsakov's "practical manual of harmony" book and, with what I have been learning there, I harmonized and orquestrated the problem 25.2. I do not follow Korsakov's rules strictly throughout the whole pice but most of the time I tried to follow them. The orquestration is basically a copy of the orquestration done by Shubert Deutsche Messe, D 872, first movement choral. The instruments are always just doubling the SATB voices.

Hope you like it and thank you for listening!

------files and musescorel link-----

Orquestrated version noteperformer audio: https://drive.google.com/file/d/1QT8S1ZEO9wxUQl3i09XdL9juvWvc28dn/view?usp=sharing

SATB + cello version noteperformer audio: https://drive.google.com/file/d/1AS7fxlehTGpD8CuPPPNwfEYrYK5oYEJ0/view?usp=sharing

Orquestrated version score: https://drive.google.com/file/d/19XSAqQdMYDKbj9fDQaJQUIy149N98WIV/view?usp=sharing

SATB + cello version score: https://drive.google.com/file/d/1pSAhXA6CtdwumkNa_w9XWix4sw8xiqR8/view?usp=sharing

musescore version: https://musescore.com/user/30851752/scores/6225623

Can I ask what the 1/4 bar is for? It seems like there's a fermata in the measure before (which needs to be included in all parts, by the way) already.

Hi Monarcheon!

I do not own Sibelius Ultimate (I own the one that is only called Sibelius) and the one I own does not allow to change the fermatas' pause time. I wanted that fermata to be longer than the rest for the playback so I solved it like that (really ugly solution, I agree). I should probably make a clean score without that bar. I did not realize I did not copy the fermata into all the other parts, thank you so much for letting me know. I will correct the score!

Thank you! 🙂