Luis Hernández Posted April 19, 2021 Posted April 19, 2021 This is an ancient melody, spread from East Europe to West Asia. I love armenian chant, and I suppose I only know it in its "modern" version. I took this melody, which is, in fact, a monody, arranged it, added transition parts, harmonized and orchestrated it fully. 2 Quote
jejrekmek Posted April 19, 2021 Posted April 19, 2021 Interesting concept, excellent execution. Quote
jejrekmek Posted April 19, 2021 Posted April 19, 2021 (edited) [deleted] Edited July 1, 2021 by jejrekmek Quote
JorgeDavid Posted April 20, 2021 Posted April 20, 2021 This is amazing! Wonderful orchestration and harmonization! I love how you combine all the instruments in turns giving them an interesting role. Also, I like the short chromatic bridge as it creates a really nice contrast. Quote
gmm Posted April 24, 2021 Posted April 24, 2021 This is great! I really like you blended the different voices and passed the melody around the orchestra. One example I really liked is the piccolo and oboe on the upbeats echoing the melody in the flute and clarinet on pg. 11-12. One question I have is why you decided to only have single woodwind players? I think in some sections where the strings have the melody the woodwinds would get lost underneath the texture, whereas if there were two players it would be easier to balance. The other thing I'll add, and maybe this is just personal taste, but I thought the brass was underutilized from a melodic standpoint. Since you do so well blending the other voices, maybe experiment with giving the melody to a solo horn, trumpet, or trombone from time to time? Otherwise, great piece of music, I enjoyed listening! Quote
Luis Hernández Posted April 25, 2021 Author Posted April 25, 2021 On 4/24/2021 at 7:02 PM, gmm said: This is great! I really like you blended the different voices and passed the melody around the orchestra. One example I really liked is the piccolo and oboe on the upbeats echoing the melody in the flute and clarinet on pg. 11-12. One question I have is why you decided to only have single woodwind players? I think in some sections where the strings have the melody the woodwinds would get lost underneath the texture, whereas if there were two players it would be easier to balance. The other thing I'll add, and maybe this is just personal taste, but I thought the brass was underutilized from a melodic standpoint. Since you do so well blending the other voices, maybe experiment with giving the melody to a solo horn, trumpet, or trombone from time to time? Otherwise, great piece of music, I enjoyed listening! I don’t like the flute and the oboe very much. So, I change one each two by a piccolo and an English horn. I think the balance depends on several things.... Quote
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