Ivan1791 Posted July 12, 2021 Posted July 12, 2021 (edited) Hey, how is everyone doing? Long time since I posted something here. (Also damn, this is my 200th post on this forum!) This time I bring you the result of a pretty interesting art trade I did where I had to compose a piece in a medieval style. Here you have the link: You have a commentary of the piece in the description of the video, and if you have any doubts just leave a comment here. I would appreciate any feedback, I hope you will like it or find it interesting. 🙂 Shares are appreciated too! If you want the final score here you have the link to my upload to Musescore: https://musescore.com/user/31566834/scores/6866952 Edited July 12, 2021 by Ivan1791 1 Quote
Quinn Posted July 12, 2021 Posted July 12, 2021 Nice piece - old French. It certainly had a mediaeval sound (Lydian in parts - but I'm not well up in modes so correct me if I'm wrong). Progresses along well and you've kept within a soprano tessitura that would let the emotion through without being too assertive. My only problem was with the closing tierce. The G# seemed a little harsh. However. if that's what you want, that's all that counts. Hope you get a chance to hear it performed. Cheers. 1 Quote
Ivan1791 Posted July 12, 2021 Author Posted July 12, 2021 1 hour ago, Quinn said: Nice piece - old French. It certainly had a mediaeval sound (Lydian in parts - but I'm not well up in modes so correct me if I'm wrong). Progresses along well and you've kept within a soprano tessitura that would let the emotion through without being too assertive. My only problem was with the closing tierce. The G# seemed a little harsh. However. if that's what you want, that's all that counts. Hope you get a chance to hear it performed. Cheers. Thank you for your reply, I'm glad you liked the piece. I used most of the modes, but some regions of the piece are quite ambiguous so there is room for debate haha. With the harsh G# I'm guessing you are referring to the last cadence. The reason I used it is because it is a typical cadence of the time which was very common at the end of most pieces, mainly religious works. Basically there is a variant where the leading tones go directly to D and A, but there is an other option where C# goes to B before jumping to D. Because I wanted to use both versions I used one at the middle and the other one at the end. Quote
Guardian25 Posted July 13, 2021 Posted July 13, 2021 This is a great piece of music, and very stylistic of the tome with two voices and lute. The counterpoint looks and sounds great as well! This a very beautiful work! 1 Quote
Theodore Servin Posted July 13, 2021 Posted July 13, 2021 Just sharing my appreciation here on the forum... great piece, once again! 1 Quote
Ivan1791 Posted July 14, 2021 Author Posted July 14, 2021 21 hours ago, Guardian25 said: This is a great piece of music, and very stylistic of the tome with two voices and lute. The counterpoint looks and sounds great as well! This a very beautiful work! Thank you so much, I'm happy to see you found it pretty. Quote
Ivan1791 Posted July 14, 2021 Author Posted July 14, 2021 21 hours ago, Theodore Servin said: Just sharing my appreciation here on the forum... great piece, once again! Thank you man, your comments are always appreciated. 🙂 1 Quote
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