Symphony No. 1 (3rd Mvt)

The idea is there, but it's still a work in progress. Now I can finally start focusing on the 4th mvt! 

I had the idea of making it scherzo-like, but I couldn't get away from the 6/8 feel. Still ABA form like a normal scherzo would be.

Oh yea, I know the ending is reminiscent to Pines of Rome. That's why I put ricorda i pini next to the Adagio marking! It means "remember the pines."

AUDIO : https://drive.google.com/file/d/1v9ARsboO2ZNuaOaPyeXtRcKTFE21G9wf/view?usp=sharing

Wow @WowBroThatWasReallyEdgy,

I have nothing to say except enjoying this very much! For me it's quite Beethovanian with the scherzo rhythm. I think with the quick triple time it is qualified as a Scherzo!

Personally I just want the Adagio ending to end as with the original tempo! Even there is a brake before the terminal I still would like to end the movement in a fast tempo, possibly in Presto since this for me will bring the movement to an energetic ending. 

Thanks so much for your sharing!

Henry

19 minutes ago, Henry Ng Tsz Kiu said:

Wow @WowBroThatWasReallyEdgy,

I have nothing to say except enjoying this very much! For me it's quite Beethovanian with the scherzo rhythm. I think with the quick triple time it is qualified as a Scherzo!

Personally I just want the Adagio ending to end as with the original tempo! Even there is a brake before the terminal I still would like to end the movement in a fast tempo, possibly in Presto since this for me will bring the movement to an energetic ending. 

Thanks so much for your sharing!

Henry

 

Thank you! 
I might make the adagio ending into the beginning of the 4th movement. I too want the energetic ending. 

Thanks for your feedback!

Wave files are not supported right? I ask because you have put a drive link instead of uploading it here directly. I myself have never tried to upload a .wav but I suppose that it's not possible.

Great sense of structure, great dynamics and instruments presence & prominence handling, great motives and specially well done transitions. 

The adagio is breathtaking though I expected you'd come up with a coda in the original tempo. I wish you would have come with more like the stuff in 1:40, it was my favorite part. 

You're truly good man, your pieces always ask to be listened again and again. 

Kind regards,
Daniel–Ømicrón.