sasapwr Posted May 31, 2023 Posted May 31, 2023 I wrote this in 15 minutes, and you can definitely tell. I hope you like it though! I tried playing around with some interesting rhythms in this but I hope they don't detract too much from the actual piece. MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu prelude > next 1 Quote
Henry Ng Tsz Kiu Posted May 31, 2023 Posted May 31, 2023 Hi @lucasa223, For me this is a composition based on the circle of fifth throughout the piece like a Chaconne when the underlying harmonic structure is unchanged. I think the rhythm is not particularly interesting though, more often it's quavers and dotted quavers, and you can have syncopations, polyrhythms and heimolas (since this piece is in 6/8 time) for more interesting rhythmic devices, just name a few. You can definitely try to write a piece in with longer compostion time to polish the details and make revision! It seems somewhat elementary here with a sentence containing a typical harmonic structure throughout. Thanks for sharing! Henry Quote
Luis Hernández Posted June 1, 2023 Posted June 1, 2023 Yes, this can be written in a short time because it is a short harmonic progression repeated with patterns that present slight variations. In the late baroque or galant style. It's nice, but since the idea is single and short, it's a bit predictable. Quote
PeterthePapercomPoser Posted June 3, 2023 Posted June 3, 2023 The staff have actually been discussing creating a section of the forums for pieces like this that didn't take a long time to write for composers. I think the method you're using here, like @Luis Hernández already mentioned is to repeat a certain pattern introducing variations to each iteration, which is a somewhat deceptively easy way to write a substantive composition pretty quickly. Of course, as with all things worth doing, writing variations well that attract the listener and that don't just come off as harmonic pulp can be a challenge. But I think what you're doing is a really great way to get started with writing variations, and this is how I actually started myself writing a set of organ variations. I then built on them later and ended up writing a series of fugues as variations. Thanks for sharing! Quote
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