HtWinsor Posted June 15, 2023 Posted June 15, 2023 (edited) Hi! These scores were composed after being not near a computer. Enjoy! Edited June 15, 2023 by HtWinsor MP3 Play / pause JavaScript is required. 0:00 0:00 volume > next menu bagatelle_50.custom_score fugue_8.custom_score > next PDF bagatelle_50fugue_8 Quote
Henry Ng Tsz Kiu Posted June 15, 2023 Posted June 15, 2023 Hey @HtWinsor, For the bagatelle 50 you indeed start to develop your material. I like the opening . The tritone F-B in b.11 will better be avoided though if there is no resolve to it. For b.24 maybe it will be better to have a quaver accompaniment in LH. For the fugue 8, the parallel fifth issue as discussed should be addressed since this is suppose to be in strict style. The b.15-28 is just a written out repetition of the first 14 bars. The work is too short to be called a fugue though with only the exposition part of it. Henry Quote
Papageno Posted June 15, 2023 Posted June 15, 2023 I like your work in A minor! Most composers gravitate to one particular minor key. Henry Kiu likes C# minor I think! I like D minor. The fugue is cool but without counterpoint skills it'll just be a stab in the dark, Henry. Take a look at the basic counterpoint rules and maybe have a little fugetta in one of your bagatelles if you want to explore that type of immitation. Quote
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