Brasses

I have two versions of this piece. I decide to upload the latest one. Any feedback is welcome.

Hi @bored_comedy,

I love your motivic play! You have that motive either stands alone along the chaos, tainted with chaos itself like the ending, or purified as in the middle section in b.11. Even the accompaniments are derived from the opening motive. You also use the augmentation of the motive, so basically there are 3 rhythmic layers here. It's funny since even though the music itself is chaotic and tones are clashing with each other, the materials themselves come from the same motive and thus very coherent. (Is that the fate of human being fighting each other? But they share the same moral rules and human reason lol but in constant clashes, thinking themselves right. That's the implication I get from this music)

Maybe a 2/2 alla breve will better than a 4/4 time signature, given the tempo is fast?

Thanks for sharing!

Henry